TESES DE DOUTORAMENTO

TESES DE DOUTORAMENTO EN CURSO

  •  Abellás Cobas, Beatriz. “Make your statement, face your fear”: Orality, Liminality and Horror in The Magnus Archives and Welcome to Night Vale. Director: Jorge Sacido-Romero
  • Aira Gallardo, MaikaAs mulleres levantan a voz: violencia de xénero e irmandade femenina no teatro norteamericano dos 70 escrito por mulleres. Directores: Constante González Groba e Patricia Fra López.
  • Álvarez Caldas, Patricia. Unha realidade edulcorada: a evolución do musical ó medio televisivo. Directora: Patricia Fra López.
  • Cabezas Amigo, Rita. Literary Treatment of the taibhsear character in Walter Scott’s waverly novels. Directores: Fernando Alonso Romero e Cristina Mourón Figueroa.
  • Cortada Roberto, Isabella Alessandra. ReJoycing MusiCage: “Writing Through Finnegans Wake” Again. Directora: Margarita Estévez-Saá
  • Díaz Martínez, Julián. Aestheticism and Dandism in Wilkie Collins’ Works. Director: Jorge Sacido Romero.
  • Díaz Rodríguez, Ana. Portraits of Old Women in Contemporary Literature in English: A Study from the Perspective of Literary Criticism, Age and Gender Studies. Directora: Margarita Estévez-Saá.
  • Fernández Fernández, Martín. The Emmett Till Case in U.S. Fiction and Drama. Director: Constante González Groba.
  • Figueiras Campos, Tania. The American Dream ‘Upside Down’: Decoding Sociocultural Anxieties through Stranger Things and the American Horror Science Fiction Literary and Audiovisual Tradition. Directora: Patricia Fra López.
  • García Varela, Ana Patricia. Theme and Thematic Progression in English and Spanish Journalistic Discourse. Directoras: María de los Ángeles Gómez González e María Teresa Sánchez Roura.
  • Gómez López, Esther. Family Relationships in Joyce Carol Oates’s Fiction.  Directora: Susana Jiménez Placer.
  • Gómez Seoane, Almudena María. Arthurian Women: Characterization, Function and Evolution of Elaine in Different Literary Versions of the Arthurian Legend. Directora: Margarita Estévez-Saá.
  • González Alonso, María. Os diferentes procesos de tradución fílmica dunha mesma obra literaria. O gran Gatsby.  Directora: Patricia Fra López.
  • González Bernárdez, Sara. The Fantasy of the Female: Identity Construction and Gender Representation in the Fantasy Genre. Directores: Laura Mª Lojo Rodríguez e Jorge Sacido Romero.

  • Guerreira Labrador, Elena. Identidad y género en la narrativa breve de autoras británicas contemporáneas. Directores: Laura Lojo Rodríguez e Mario Cal Varela.
  • Guzmán de la Concepción, Marta. La influencia de la educación en las cuestiones de género.  Directora: Laura Lojo Rodríguez.
  • Iovine, Flavia. Irish Women Short Story Writers: A Reappraisal of Mary Lavin’s and Julia O’Faolain’s Contribution to the Genre. Directora: Margarita Estévez-Saá.
  • Kulsoom Indad. An Analysis of J. R. R. Tolkien’s On Fairy-Stories in The Lord of the Rings. Directora: Cristina Mourón Figueroa. 
  • Ledo Fernández, MónicaA personaxe sureña de Lillian Hellman na gran pantalla: unha lectura do Sur mediante a análise de personaxes. Directora: Patricia Fra López.
  • López Ferrás, Carlota. Children’s Perspective in the English Narrative. Directora: Laura Lojo Rodríguez.
  • Marchetto Santorun, María Cecilia. A Comparative Study of William Blake’s illustrated writings and Alan Moore’s comic books. Director: José Manuel Barbeito Varela.
  • Martínez Ponciano, Regina. Masculinities in Late Victorian Fiction. Directores: Laura Lojo Rodríguez e Jorge Sacido Romero.

  • Patiño Eirín, María Rosario. Mistress of Herself. The New Woman in the Late Victorian Novel. Directora: Manuela Palacios González.
  • Pérez Alonso, Sabela, Genre and Gender Debates in SF Studies: An Analysis of Four Case Studies. Directora: Margarita Estévez-Saá
  • Pérez Vilas, Rubén. Bourgeoisie and Dissatisfaction in the Literature of the Nineteenth-century Fin de Siècle: A Transcontinental Perspective. Directora: Margarita Estévez-Saá
  • Portela Fernández, Marta. Women in Flight: The Need to Escape in Irish Women Writer’s Literary Production. Directora: Manuela Palacios González.
  • Resúa Muñiz, Santiago José. A New Discourse from the Chair of St. Peter? Ideology and Power Relations in Pope Franci’s Discourse. Directora: María de los Ángeles Gómez González.
  • Rodríguez Durán, Jorge. Literary Cartographies of Nothern Irish Urban Landscapes. Directora: Manuela Palacios González. 
  • Rodríguez Fernández, Arancha.  A rexión extrema: o discurso amoroso na poesía contemporánea de mulleres en Galicia e Irlanda. Directora: Manuela Palacios González.
  • Rodríguez Pazo, Dolores. Representations of Ireland and Galicia in the Rural Novel. Directora: Manuela Palacios González.
  • Soage Juncal, Lourdes. Evaluative Discourse Markers in English and Spanish. Directora: María de los Ángeles Gómez González.

TESES DE DOUTORAMENTO DEFENDIDAS

2020

Boán Francis, Iago. El bestiario rowlingiano en la saga Harry Potter: fuentes literarias y mitológicas. Directora: Cristina Mourón Figueroa.

Díaz Martínez, Julián. The Progress of Taste in Mid-Nineteenth Century England: Art in Wilkie Collins’ Early Writing. Dir Jorge Sacido Romero

Gómez López, Esther. Family Relationships in the Fiction of Joyce Carol Oates. Dir. Susana Jiménez Placer

Iglesias Rábade, Luis. Los delitos de falsedad y su punición en los Derechos español e inglés. Estudio histórico comparado. Director: Pedro Ortego Gil.
Pérez Casal, Inmaculada. Antecedents and Development of the Contemporary Romance Novel in English; A Study of the Contribution to the Genre by Rosamunde Pilcher. Directoras: Margarita Estévez-Saá e Patricia Fra López.

Riobó Pérez, Nerea. Wicked women or Passive Heroines? Sexuality and Female Characters in Angela Carter. Directora: Laura Lojo Rodríguez.

 

2018 

Morales Polo, Ángela. Reescrituras fílmicas. Autoría y adaptación de textos anglosajones en Isabel Coixet: My Life Without Me, Elegy y Another Me. Director: Jesús Varela Zapata.

 

2017

Gálvez Gómez, Laura. The Arthurian World of J. R. R. Tolkien’s The Lord of the Rings: a Reassessment. Directora: Cristina Mourón Figueroa.

 

2016

Amelia Piñeiro Santorun. Female Vampires: Sexuality and Mother-Daughter Relationship in Five Vampire Stories in English. Directora: Margarita Estévez-Saá.

Fernández, Richard Jorge. The Irish Gothic Short Story in the Nineteenth Century: James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker. Directora: Margarita Estévez-Saá.

Mato Collazo, Pablo. El retorno del héroe en la literatura de Tolkien, el cine de Jackson y la cultura de masas: el arquetipo heroico de la Saga del Anillo. Directora: Patricia Fra López.

Rabelo Câmara, Yls. Morgana vs. Guinevere: Analysis of the Dichotomy Paganism-Christianism in the Celtic World of Avalon. Directores: Fernando Alonso Romero e Cristina Mourón Figueroa.

Saavedra Carballido, Jesús Manuel. Golding’s Metaphysics: William Golding’s Novels through Arthur Schopenhauer’s Philosophy. Director: José Manuel Barbeito Varela.

 

2015

Fernández Mosquera, Ana Isabel. The Nineteeth-Century English ‘Family Novel’: The Feminine Model of Charlotte Yonge. Directores: Laura Mª Lojo Rodríguez e Veljka Ruzicka Kenfel.

Losada Pérez, Ana María. Postmodernism in Angela Carter’s Short Fiction: A Zizekian Approach. Directores: Laura Lojo Rodríguez e Jorge Sacido Romero.

Navarro Romero, Betsabé. British Intellectuals and Blairism: Counter-Hegemonic Voices during Tony Blair’s Premiership. Directores: Laura Lojo Rodríguez e José Francisco Fernández Sánchez.

Pereira Ares, Noemí. Dressed Bodies that Matter: A Study of Dress in the Literature of the South Asian Diaspora in Britain. Directores: Margarita Estévez-Saá e José Manuel Estévez-Saá.

Rodríguez Lamas, María Luisa. Lexical Anglicism on Spanish TV in the Transition to the New Millennium. Directora: María de los Ángeles Gómez González.

 

2014

Lestón Mayo, María Aurora. Tracing the Dragon: A Study of the Origin and Evolution of the Dragon Myth in the History and Literature of the British Isles. Directores: Cristina Mourón Figueroa e Fernando Alonso Romero.

Pérez Tilve, María Teresa. Mothers and Daughters in Contemporary Irish and Galician Women Poetry. Directora: Manuela Palacios González.

 

2013

Casado Villanueva, María. Enchanting and Disenchanted Narratives: The Short Fiction of Katherine Mansfield and D.H. Lawrence. Directora: Laura Lojo Rodríguez.

López Pérez, Ana Belén. Female Identity in Katherine Mansfield’s Work. Director: José Manuel Barbeito Varela.

 

2012

Goldar Diéguez, Jorge. Inter-Stratum Synchronic Study: Context and Representation in The Canterbury Tales and Piers Plowman. Directora: Cristina Mourón Figueroa.

 

2011

Torrado Cespón, Milagros. Fascinology in the Society and Literature of the British Isles. Director: Fernando Alonso Romero.

TESES FIN DE MESTRADO

2016

  • Figueiras Campos, Tania. Creando un alter ego e un héroe: Perry Smith na adaptación cinematográfica de Richard Brooks de A sangue frío, de Truman Capote.  Directora: Patria Fra López.

  • Junquera Areas Pérez, Mónica. Gender and Identity in Irish Contemporary Fiction. Directora: Susana Domínguez Pena.

2015

  • Al-Tawarh, Khawla Abed Alhadi Abbas. Euphemisms for Death in Arabic-Jordanian and American English: Comparative Study. Director: Luis Iglesias Rábade.

  • Dono Costoya, Alba. Re-establishment of English in Writing (1300-1500). Director: Luis Iglesias Rábade.

  • Jamardo, Andrea. Maya Angelou’s  I Know Why the Caged Bird Sings in Terms of Race and Gender. Directora: Susana Jiménez Placer.

  • Martínez Aguín, Alicia. Language, Gender and Identity in Julia Álvarez’s How the García Girls Lost Their AccentsDirectora: Susana Jiménez Placer.

  • Martínez Fachal, Ángela. Bards of the Nation: Eduardo Pondal and W. B. Yeats. Directora: Margarita Estévez-Saá.

  • Queiruga Domínguez, Naara. Segregation in Alice Childress’s  Like One of the Family. Directora: Susana Jiménez Placer.

  • Yáñez Castiñeira, Marta. Women and the Troubles: Trauma and Memory in Deirdre Madden’s One by One in the Darkness. Directora: Margarita Estévez-Saá.

2014

  • Boán Francis, Iago. Literary Portraits of King Richard III: History and Fiction in William Shakespeare’s Play and Sharon Penman’s The Sunne in Splendour. Directora: Cristina Mourón Figueroa.

  • Buján Vigo, Mirian. Beauty Blogs in English and Spanish: A Contrastive Multimodal Analysis. Directora: María de los Ángeles Gómez González.

  • Díaz Rodríguez, Ana. Female Aging in Doris Lessing’s The Diaries of Jane Somers. Directora: Margarita Estévez-Saá.

  • Facorro Souto, Raquel. Desafiando la estabilidad: Travels in the Scriptorium de Paul Auster. Directora: Laura Lojo Rodríguez.

  • Gómez López, Esther. Family Loss in the Fiction of Joyce Carol Oates. Directora: Susana Jiménez Placer.

  • Mediero Viera, Jorge.True Detective de Nic Pizzolatto: unha análise da figura do investigador e o relato policial dende Poe ata o cine negro.  Directora: Patricia Fra López.

  • Pérez Casal, Inmaculada. Mulleres e mentoras: a importancia das relacións entre mulleres na serie Travis de Lisa Kleypas. Directora: Patricia Fra López.

  • Pinto Pérez, Laura. Definiendo “Steampunk” como género literario: Creando un pasado que no existió. Directora: Laura Lojo Rodríguez.

  • Prieto Vázquez, Leticia. Rewriting Female Myths in Irish and Galician Women’s Poetry. Directora: Manuela Palacios González.

2013

  • Fernández Otero, Alba. Mary Shelley’s Frankenstein and the Gothic Novel. Directora: Laura Lojo Rodríguez.

  • Gálvez Gómez, Laura. A Study of the Arthurian Themes of Quest and Fellowship in J. R. R. Tolkien’s The Lord of the Rings. Directora: Cristina Mourón Figueroa.

  • González Barroso, Silvia. The Use of Focalization Adverbs by Spanish Learners of Advanced English. Directoras: Susana María Doval Suárez e Elsa María González Álvarez.

  • González González, Tania. Ian McEwan’s Postmodernism in Directora: Laura Lojo Rodríguez.

  • Gutiérrez Boquete, Elisa. Virginia Woolf’s Orlando: Sketch of a Writer. Directora: Laura Lojo Rodríguez.

  • Lamela Camanzo, Esteban. Pragmatic Strategies in Contemporary Advertising: Grice’s Cooperative Principle. Directora: María Teresa Sánchez Roura.

  • Marchetto Santorun, María Cecilia. Comparative Study between William Blake’s The Marriage of Heaven and Hell and Alan Moore’s Director: José Manuel Barbeito Varela.

  • Riobó Pérez, Nerea. Angela Carter’s Wolves Trilogy and Female Identity. Directora: Laura Lojo Rodríguez.

2012

  • Abelleira Bermejo, María. Alfred Hitchcock: mujeres en Psicosis, Recuerda y Rebecca.  Directora: Patricia Fra López.

  • De la Cruz Moreno, Marcelino. The Castle of Otranto and “The Bloody Chamber”: A Sample of how Gothic Literature Has Changed since its Origins until the Late Twentieth Century. Directora: Laura Lojo Rodríguez.

  • González Otero, María. Analysis of the Context in the Translation of American Novels into Film: The Great Gatsby.  Directora: Patricia Fra López.

  • Keane, Eithne. Paul Howard’s Ross O’Carroll-Kelley Series and the Irish Comic Tradition: A Reflection on Culture and Society in Celtic Tiger Ireland. Directora: Margarita Estévez-Saá.

  • Klichko, Olga. Femininity, Sexuality and Vampires: An Approach to Sheridan Le Fanu’s “Carmilla”. Directora: Laura Lojo Rodríguez.

  • Pérez Duarte, Isabel. Presupposition in Advertising. Directora: María Teresa Sánchez Roura.

2011

  • Álvarez Caldas, Patricia. With the Rich and Mighty Always a Little Patience: A Revision of Gender, Class and Genre in The Philadelphia Story. Directora: Patricia Fra López.

  • Casas Barbeito, Cristina. Appraisal and Criticism of Two Female Bildungsromane: Jane Auste’s Emma and Charlotte Brontë’s Jane Eyre. Directora: Margarita Estévez-Saá.

  • Martelo Cambeiro, Josefa Loida. Identity and Space in Sandra Cisneros’ The House on Mango Street. Directora: Susana Jiménez Placer.

  • Martínez López, Beatriz. Reading Nella Larsen’s Passing in Terms of Class. Directora: Susana Jiménez Placer.

  • Portela Fernández, Marta. Anne Enright’s The Gathering: Configurations of the Family in Contemporary Irish Literature. Directora: Manuela Palacios González.

  • Tubío González, Benito. A Reappraisal of Richard Adams’s Watership Down. The Journey Home. Directora: Cristina Mourón Figueroa.

 

2010

  • Aira Gallardo, Maika. Domestic Violence on Stage.  Directora: Patricia Fra López.

  • Covelo Pedreira, Andrés. Bringing the Novel to Life: An Overview of the Adaptation of the Novel to Film. Directora: Laura Lojo Rodríguez.

  • Fernández Montoto, Marina C. American Children’s Literature: Jacob Abbott, A Pioneer.  Directora: Patricia Fra López.

  • García Sánchez, Maeba. Poder y estereotipos en la literatura asiático americana. Directora: Patricia Fra López.

  • Pereira-Ares, Noemí. Dressed Bodies Do Matter in Monica Ali’s Brick Lane. Directora: Margarita Estévez-Saá.

  • Sánchez García, Celina. Challenging Linear Order: Postmodern Strategies in Ali Smith’s The Whole Stories and Other Stories. Directora: Laura Lojo Rodríguez.

  • Villa Al-Hussen, Khazna. Female Characters in Bram Stoker’s Directora: Laura Lojo Rodríguez.

OUTROS ESTUDOS ACADÉMICOS DIRIXIDOS

2014

  • Riobó Pérez, Nerea. Charmed Women and Sexuality in Fairy Tales through Angela Carter’s Short Stories. Supervisor: Laura Lojo Rodríguez.

2012

  •  Rodríguez Dopico, Silvia. Women’s Mobility in Edna O’Brien’s and Mary O’Donnell’s Short Stories. Directora: Manuela Palacios González.

2009

  • Bret Franco, Carolina. Political Justice Refracted in Caleb Williams: The Failure of Rationalist Ethics vis-a-vis the Emancipation of the Individual in William Godwin. Director: Jorge Sacido Romero.

  • Casado Villanueva, María. No Laughing Matter: Humour as Subversive Strategy in Zadie Smith’s White Teeth. Directora: Laura Lojo Rodríguez.

  • Currás Nores, Lucía. Six Feet Under or the funeral of the traditional American family.  Directora: Patricia Fra López.

  • Díaz Martínez, Julián. “In the wretched state of my nerves.” The Figure of the Aesthete Frederick Fairlie in Wilkie Collins’ The Woman in White. Director: Jorge Sacido Romero.