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[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ _module_preset=”default” background_color=”#d6d6d6″ width=”79.9%” custom_padding=”||5px|28px||” global_colors_info=”{}” locked=”off” theme_builder_area=”post_content”][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_image src=”https:\/\/discursoeidentidade.com\/wp-content\/uploads\/2026\/10\/Foto_Pablo_Seoane-2026-e1791870962651.jpg” alt=”Aitana Acu\u00f1a” title_text=”Foto_Pablo_Seoane 2026″ _builder_version=”4.27.9″ _module_preset=”default” custom_margin=”|6px||||” custom_padding=”15px|||||” hover_enabled=”0″ global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.16″ _module_preset=”default” text_line_height=”1em” custom_margin=”-17px||-23px|||” custom_padding=”||0px|||” disabled=”on” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.27.9″ _module_preset=”default” text_font=”Montserrat||||||||” min_height=”117px” custom_margin=”11px|||||” custom_padding=”|95px||||” hover_enabled=”0″ inline_fonts=”Montserrat” global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
Pablo Seoane<\/strong> (Ferrol 1968) Doutor en filosof\u00eda pola USC, compositor, pianista e na actualidade investigador posdoutoral do iHUS. Foi profesor na facultade de filosof\u00eda da USC no curso 2025-26. Leva arredor de tres d\u00e9cadas realizando unha actividade regular en \u00e1mbitos pr\u00f3ximos \u00e1 improvisaci\u00f3n, o jazz, a m\u00fasica contempor\u00e1nea e as artes esc\u00e9nicas. Escribiu ademais sobre est\u00e9tica, metaf\u00edsica e filosof\u00eda da m\u00fasica, entre outros asuntos. E desenvolveu os seus labores musicais e filos\u00f3ficos dentro e f\u00f3ra do estado espa\u00f1ol (Brasil, Arxentina, Italia, Francia, Portugal ou Reino Unido). Traduciu tam\u00e9n obras po\u00e9ticas e literarias, ao galego ou ao castel\u00e1n, de autores como H. D. Thoreau, Samuel Beckett, Harold Pinter ou Guillaume Apollinaire. E en 2020 publicou o libro Regla y tiempo real. Improvisaci\u00f3n, interpretaci\u00f3n y ontolog\u00eda de la obra musical<\/em>. Algunhas das s\u00faas \u00faltimas obras no \u00e1mbito da m\u00fasica ou a arte sonora son Par\u00e1base<\/em> (2017, peza composta para os dous \u00f3rganos barrocos da Bas\u00edlica de San Salvador de Lourenz\u00e1, Lugo); Ph\u00e1rmakon<\/em> (2021, obra m\u00fasico-esc\u00e9nica para viola, \u00f3boe, corno ingl\u00e9s e dous actores; Exercicios de Cartograf\u00eda inversa<\/em> (2024, obra multidisciplinar); ou Karaoke de Interior<\/em> (2024, obra performativa e musical, correlato dunha investigaci\u00f3n filos\u00f3fica sobre o sentimentalismo).<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”off|off|off” _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px||27px|0px||” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font=”Montserrat||||||||” text_font_size=”11px” inline_fonts=”Montserrat” global_colors_info=”{}” theme_builder_area=”post_content”][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Pablo SeoanePablo Seoane (Ferrol 1968) Doutor en filosof\u00eda pola USC, compositor, pianista e na actualidade investigador posdoutoral do iHUS. Foi profesor na facultade de filosof\u00eda da USC no curso 2025-26. Leva arredor de tres d\u00e9cadas realizando unha actividade regular en \u00e1mbitos pr\u00f3ximos \u00e1 improvisaci\u00f3n, o jazz, a m\u00fasica contempor\u00e1nea e as artes esc\u00e9nicas. Escribiu ademais […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-9434","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages\/9434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9434"}],"version-history":[{"count":0,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages\/9434\/revisions"}],"wp:attachment":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}