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[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.7.3″ background_color=”rgba(0,0,0,0)” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.6.1″ _module_preset=”default” background_color=”#d6d6d6″ width=”79.9%” custom_padding=”||27px|28px||”][et_pb_column type=”2_5″ _builder_version=”4.6.1″ _module_preset=”default”][et_pb_image src=”http:\/\/discursoeidentidade.com\/wp-content\/uploads\/2021\/02\/Jorge-Sacido-foto-perfil-e1612197394371-1024×1024.jpg” title_text=”Jorge Sacido (foto perfil)” _builder_version=”4.9.0″ _module_preset=”default” min_height=”299px” custom_margin=”26px|||||” custom_padding=”|||34px||” hover_enabled=”0″ sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.6.1″ _module_preset=”default”][et_pb_text _builder_version=”4.6.1″ _module_preset=”default” text_font=”Montserrat||||||||” min_height=”117px” custom_margin=”-5px|||||” custom_padding=”|95px||||” inline_fonts=”Montserrat,Montserrat Alternates”]<\/p>\n
Jorge S<\/span><\/strong>acido-Romero<\/span>\u00a0<\/strong>is Senior Lecturer in English at the University of Santiago de Compostela (USC). His research has centred mainly on the reproduction of ideological discourse in literary texts and the tensions it generates. Along these lines, he has published on Joseph Conrad (<\/span>Atlantis <\/em>2011), James Joyce (<\/span>Papers on Joyce<\/em> 2012) or Slavoj \u017di\u017eek (<\/span>Grial <\/em>2007), amongst others. He has also coedited the volumes <\/span>National Identities and European Literatures<\/em><\/a><\/span> (Peter Lang 2008) and <\/span>Sound Effects: The Object Voice in Fiction<\/em><\/a><\/span> (Brill \/ Rodopi 2015). In recent years, Sacido Romero has focused on the study of the short story in English, conducting research on the work of Scottish writer Janice Galloway and supervising two research projects:<\/span> Modernism, Postmodernism and the English Short Story <\/em>funded by the Galician Regional Government (<\/span>Xunta de Galicia<\/em>, 2008-2011) and <\/span>Women\u2019s Tales: The Short Fiction of Contemporary British Writers 1974-2013<\/em><\/a><\/span> funded by the Spanish Ministry of Economy and Competitiveness (2014-2016). Sacido Romero is also a member of the steering group of the <\/span>European Network for Short Fiction Research<\/a><\/span> (ENSFR) and editorial consultant of the <\/span>Journal of the Short Story in English<\/em><\/a><\/span>.<\/span><\/span><\/p>\n \u00a0<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.6.1″ _module_preset=”default” custom_padding=”|||0px||”][et_pb_column type=”4_4″ _builder_version=”4.6.1″ _module_preset=”default”][et_pb_text _builder_version=”4.6.1″ _module_preset=”default” text_font=”Montserrat||||||||” text_font_size=”11px” custom_padding=”0px||7px|||” inline_fonts=”Montserrat”]<\/p>\n Sacido-Romero, Jorge. \u201cSounding Diasporic Dislocation: The Object Voice in Postcolonial Short Stories\u201d. <\/span>Short Fiction in Theory and Practice <\/em>[forthcoming in 2021]. ISSN 2043-0701<\/span><\/p>\n Lojo-Rodr\u00edguez Laura, Jorge Sacido-Romero and Noem\u00ed Pereira-Ares, eds. Postcolonial Youth in Contemporary British Fiction<\/em>. Leiden: Brill [forthcoming in 2021]<\/span><\/p>\n Sacido-Romero, Jorge. \u201cMulticultural Adolescence and Its Identitary Vicissitudes in Contemporary British Short Stories\u201d. In Postcolonial Youth in Contemporary British Fiction<\/em>, eds. L. Lojo-Rodr\u00edguez, J. Sacido-Romero and N. Pereira-Ares. Leiden: Brill [forthcoming in 2021]<\/span><\/p>\n Sacido-Romero, Jorge. \u201cStranded in a Border Zone: Traumatic Liminality in Black British Short Stories\u201d. In Borders and Border Crossings in the Contemporary British Short Story<\/em>, eds. B. Korte and L. Lojo-Rodr\u00edguez. Cham, Switzerland: Palgrave Macmillan, 2019, 115-131. ISBN 978-3-030-30358-7<\/span><\/p>\n Sacido-Romero, Jorge. \u201c\u201cBeing then Nothing\u201d: Physicality, Abjection and Creation in Janice Galloway\u2019s Short Fiction\u201d. IJES: International Journal of English Studies<\/em>. 19\/1 (2019): 133-150. ISSN: 1578-7044.<\/span><\/p>\n Sacido-Romero, Jorge and Laura Lojo-Rodr\u00edguez, eds. Gender and Short Fiction: Women\u2019s Tales in Contemporary Britain<\/em>. New York: Routledge, 2018. ISBN: 978-0-367-66572-2.<\/span><\/p>\n Sacido-Romero, Jorge. \u201cIn a Different Voice: Janice Galloway\u2019s Short Stories\u201d. In Gender and Short Fiction: Women\u2019s Tales in Contemporary Britain<\/em>, eds. J. Sacido-Romero and L. Lojo-Rodr\u00edguez. New York: Routledge, 2018, 191-214. ISBN: 978-0-367-66572-2.<\/span><\/p>\n Sacido-Romero, Jorge. \u201cIntertextuality and Intermediality in Janice Galloway\u2019s \u2018Scenes from the Life\u2019 (Blood<\/em> 1991)\u201d.\u00a0 Short Fiction in Theory and Practice<\/em>. 8\/1-2 (2018): 99-110. ISSN 2043-0701.<\/span><\/p>\n Sacido-Romero, Jorge. \u201cLiminality in Janice Galloway\u2019s Short Fiction\u201d. Zeitschrift f\u00fcr und Amerikanistik: A Quarterly of Language, Literature and Culture<\/em>. 66\/4 (2018), 443-459.<\/span><\/p>\n Sacido-Romero, Jorge. “Ghostly Visitations in Contemporary Short Fiction by Women: Fay Weldon, Janice Galloway and Ali Smith”. Atlantis: A Journal of the Spanish Association for Anglo-American Studies<\/em>.\u00a0 38\/2 (Dec 2016): 83-102. ISSN: 0210-6124.<\/span><\/p>\n Sacido-Romero, Jorge. Sound Effects: The Object Voice in Fiction<\/em> (co-editado con Sylvia Mieszkowsk). Leiden: Brill \/ Rodopi, 2015. ISBN: 9789004304383.<\/span><\/p>\n@<\/strong>: jorge.sacido@usc.es<\/a><\/span><\/h4>\n
Personal Website<\/strong>: https:\/\/usc-es.academia.edu\/Jorgesacido<\/a><\/span><\/h4>\n