{"id":617,"date":"2016-06-06T12:34:19","date_gmt":"2016-06-06T10:34:19","guid":{"rendered":"http:\/\/discursoeidentidade.com\/?page_id=617"},"modified":"2021-07-01T11:08:15","modified_gmt":"2021-07-01T09:08:15","slug":"417-2","status":"publish","type":"page","link":"https:\/\/discursoeidentidade.com\/?page_id=617","title":{"rendered":"MIEMBRO_Jorge Sacido Romero"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; inner_shadow=&#8221;on&#8221; fullwidth=&#8221;on&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.6.1&#8243; background_color=&#8221;#153b60&#8243; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_phone=&#8221;&#8221; transparent_background=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221;][et_pb_fullwidth_header content_max_width=&#8221;none&#8221; admin_label=&#8221;T\u00cdTULO SECCI\u00d3N&#8221; _builder_version=&#8221;4.6.1&#8243; title_font=&#8221;Montserrat||||||||&#8221; background_color=&#8221;rgba(255, 255, 255, 0)&#8221; custom_padding=&#8221;||0px|||&#8221; button_one_letter_spacing_hover=&#8221;0&#8243; button_two_letter_spacing_hover=&#8221;0&#8243; button_one_text_size__hover_enabled=&#8221;off&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; button_one_text_color__hover_enabled=&#8221;off&#8221; button_two_text_color__hover_enabled=&#8221;off&#8221; button_one_border_width__hover_enabled=&#8221;off&#8221; button_two_border_width__hover_enabled=&#8221;off&#8221; button_one_border_color__hover_enabled=&#8221;off&#8221; button_two_border_color__hover_enabled=&#8221;off&#8221; button_one_border_radius__hover_enabled=&#8221;off&#8221; button_two_border_radius__hover_enabled=&#8221;off&#8221; button_one_letter_spacing__hover_enabled=&#8221;on&#8221; button_one_letter_spacing__hover=&#8221;0&#8243; button_two_letter_spacing__hover_enabled=&#8221;on&#8221; button_two_letter_spacing__hover=&#8221;0&#8243; button_one_bg_color__hover_enabled=&#8221;off&#8221; button_two_bg_color__hover_enabled=&#8221;off&#8221;]<\/p>\n<h1>Jorge Sacido Romero<\/h1>\n<p>[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.6.1&#8243; background_color=&#8221;rgba(0,0,0,0)&#8221; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_phone=&#8221;&#8221; transparent_background=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.6.1&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#d6d6d6&#8243; width=&#8221;79.9%&#8221; custom_padding=&#8221;||27px|28px||&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.6.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_image src=&#8221;http:\/\/discursoeidentidade.com\/wp-content\/uploads\/2021\/02\/Jorge-Sacido-foto-perfil-e1612197394371.jpg&#8221; title_text=&#8221;Jorge Sacido (foto perfil)&#8221; _builder_version=&#8221;4.7.3&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;22px||1px|||&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.6.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_text _builder_version=&#8221;4.6.1&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Montserrat||||||||&#8221; min_height=&#8221;117px&#8221; custom_margin=&#8221;18px|||||&#8221; custom_padding=&#8221;|95px||||&#8221; inline_fonts=&#8221;Montserrat&#8221;]<\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Jorge Sacido Romero\u00a0<\/strong>\u00e9 Profesor Titular de Filolox\u00eda Inglesa na Universidade de Santiago de Compostela (USC). As s\u00faas investigaci\u00f3ns c\u00e9ntranse principalmente nos discursos ideol\u00f3xicos presentes dentro do texto literario e as tensi\u00f3ns que deles emanan. Nesta li\u00f1a, Sacido Romero publicou sobre Joseph Conrad (<em>Atlantis <\/em>2011), James Joyce (<em>Papers on Joyce<\/em> 2012) ou Slavoj \u017di\u017eek (<em>Grial <\/em>2007), entre outros, e co-editou os volumes <a href=\"http:\/\/www.peterlang.com\/detail\/buch\/13777\/5\/11228\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>National Identities and European Literatures<\/em><\/a> (Peter Lang 2008) e <a href=\"http:\/\/www.brill.com\/products\/book\/sound-effects-object-voice-fiction\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Sound Effects: The Object Voice in Fiction<\/em><\/a> (Brill \/ Rodopi 2015). Nos \u00faltimos anos, Sacido Romero orientou as s\u00faas investigaci\u00f3ns cara ao estudo da narrativa breve en ingl\u00e9s, centr\u00e1ndose na obra da escritora escocesa Janice Galloway e dirixindo dous proxectos de investigaci\u00f3n sobre este tema: <em>Modernism, Postmodernism and the English Short Story <\/em>financiado pola Xunta de Galicia (2008-2011) e <em><a href=\"http:\/\/womenstales.eu\/\" target=\"_blank\" rel=\"noopener noreferrer\">Women\u2019s Tales: The Short Fiction of Contemporary British Writers 1974-2013<\/a> <\/em>financiado polo Ministerio de Econom\u00eda e Competitividade (2014-2016). Sacido Romero \u00e9 tam\u00e9n membro da <a href=\"http:\/\/ensfr.hypotheses.org\/\" target=\"_blank\" rel=\"noopener noreferrer\">European Network for Short Fiction Research<\/a> (ENSFR) as\u00ed como do comit\u00e9 editorial de revistas acad\u00e9micas como <a href=\"http:\/\/jsse.revues.org\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Journal of the Short Story in English<\/em><\/a>.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: small;\">\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>@: <a href=\"mailto:jorge.sacido@usc.es\">jorge.sacido@usc.es<\/a><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Web Persoal<\/strong>: <a href=\"https:\/\/usc-es.academia.edu\/Jorgesacido\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/usc-es.academia.edu\/Jorgesacido<\/a><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.6.1&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;-7px|auto||auto||&#8221; custom_padding=&#8221;|||0px||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.6.1&#8243; _module_preset=&#8221;default&#8221;][et_pb_text _builder_version=&#8221;4.6.1&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Montserrat||||||||&#8221; text_font_size=&#8221;11px&#8221; inline_fonts=&#8221;Montserrat&#8221;]<\/p>\n<p><span style=\"color: #000000; font-size: 11px;\">Sacido-Romero, Jorge. \u201cSounding Diasporic Dislocation: The Object Voice in Postcolonial Short Stories\u201d. <\/span><em style=\"color: #000000; font-size: 11px;\">Short Fiction in Theory and Practice <\/em><span style=\"color: #000000; font-size: 11px;\">[forthcoming in 2021]. ISSN 2043-0701<\/span><\/p>\n<p><span style=\"color: #000000;\">Lojo-Rodr\u00edguez Laura, Jorge Sacido-Romero and Noem\u00ed Pereira-Ares, eds. <em>Postcolonial Youth in Contemporary British Fiction<\/em>. Leiden: Brill [forthcoming in 2021]<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge. \u201cMulticultural Adolescence and Its Identitary Vicissitudes in Contemporary British Short Stories\u201d. In <em>Postcolonial Youth in Contemporary British Fiction<\/em>, eds. L. Lojo-Rodr\u00edguez, J. Sacido-Romero and N. Pereira-Ares. Leiden: Brill [forthcoming in 2021]<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge. \u201cStranded in a Border Zone: Traumatic Liminality in Black British Short Stories\u201d. In <em>Borders and Border Crossings in the Contemporary British Short Story<\/em>, eds. B. Korte and L. Lojo-Rodr\u00edguez. Cham, Switzerland: Palgrave Macmillan, 2019, 115-131. ISBN 978-3-030-30358-7<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge. \u201c\u201cBeing then Nothing\u201d: Physicality, Abjection and Creation in Janice Galloway\u2019s Short Fiction\u201d. <em>IJES: International Journal of English Studies<\/em>. 19\/1 (2019): 133-150. ISSN: 1578-7044.<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge and Laura Lojo-Rodr\u00edguez, eds. <em>Gender and Short Fiction: Women\u2019s Tales in Contemporary Britain<\/em>. New York: Routledge, 2018. ISBN: 978-0-367-66572-2.<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge. \u201cIn a Different Voice: Janice Galloway\u2019s Short Stories\u201d. In <em>Gender and Short Fiction: Women\u2019s Tales in Contemporary Britain<\/em>, eds. J. Sacido-Romero and L. Lojo-Rodr\u00edguez. New York: Routledge, 2018, 191-214. ISBN: 978-0-367-66572-2.<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge. \u201cIntertextuality and Intermediality in Janice Galloway\u2019s \u2018Scenes from the Life\u2019 (<em>Blood<\/em> 1991)\u201d.\u00a0 <em>Short Fiction in Theory and Practice<\/em>. 8\/1-2 (2018): 99-110. ISSN 2043-0701.<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge. \u201cLiminality in Janice Galloway\u2019s Short Fiction\u201d. <em>Zeitschrift f\u00fcr und Amerikanistik: A Quarterly of Language, Literature and Culture<\/em>. 66\/4 (2018), 443-459.<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-family: Montserrat;\">Sacido-Romero, Jorge. &#8220;Ghostly Visitations in Contemporary Short Fiction by Women: Fay Weldon, Janice Galloway and Ali Smith&#8221;. <\/span><em>Atlantis: A Journal of the Spanish Association for Anglo-American Studies<\/em>.\u00a0 38\/2 (Dec 2016): 83-102. ISSN: 0210-6124.<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge<em>. Sound Effects: The Object Voice in Fiction<\/em> (co-editado con Sylvia Mieszkowsk). Leiden: Brill \/ Rodopi, 2015. ISBN: 9789004304383.<\/span><\/p>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.brill.com\/products\/book\/modernism-postmodernism-and-short-story-english\" style=\"color: #000000;\">Sacido-Romero, Jorge.<em> Modernism, Postmodernism, and the Short Story in English<\/em><\/a> (editor). Amsterdam: Rodopi, 2012.<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge.\u201cThe Boy\u2019s Voice and Voices for the Boy in Joyce\u2019s \u2018The Sisters\u2019\u201d.\u00a0<em>Papers on Joyce<\/em>17\/18 (Dec 2012): 203-242. ISSN: 1135-0504<\/span><\/p>\n<p><span style=\"color: #000000;\">Sacido-Romero, Jorge. \u201c<a href=\"http:\/\/www.atlantisjournal.org\/index.php\/atlantis\/issue\/archive?issue=33-2\" style=\"color: #000000;\">Failed Exorcism: Kurtz Spectral Status and Its Ideological Function in Conrad\u2019s \u2018Heart of Darkness\u2019<\/a>\u201d.\u00a0<em>Atlantis: A Journal of the Spanish Association for Anglo-American Studies<\/em>.\u00a0 32\/2 (Dec 2011): 43-60. ISSN: 0210-6124.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jorge Sacido RomeroJorge Sacido Romero\u00a0\u00e9 Profesor Titular de Filolox\u00eda Inglesa na Universidade de Santiago de Compostela (USC). As s\u00faas investigaci\u00f3ns c\u00e9ntranse principalmente nos discursos ideol\u00f3xicos presentes dentro do texto literario e as tensi\u00f3ns que deles emanan. Nesta li\u00f1a, Sacido Romero publicou sobre Joseph Conrad (Atlantis 2011), James Joyce (Papers on Joyce 2012) ou Slavoj \u017di\u017eek [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-617","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages\/617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=617"}],"version-history":[{"count":0,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages\/617\/revisions"}],"wp:attachment":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}