[et_pb_section fb_built=”1″ inner_shadow=”on” fullwidth=”on” custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ background_color=”#153b60″ custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_fullwidth_header content_max_width=”none” admin_label=”T\u00cdTULO SECCI\u00d3N” _builder_version=”4.16″ title_font=”Montserrat||||||||” background_color=”rgba(255, 255, 255, 0)” custom_padding=”||0px|||” button_one_letter_spacing_hover=”0″ button_two_letter_spacing_hover=”0″ global_colors_info=”{}” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”0″ button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”0″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”]<\/p>\n
[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ _module_preset=”default” background_color=”#d6d6d6″ width=”79.9%” custom_padding=”||27px|28px||” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/discursoeidentidade.com\/wp-content\/uploads\/2020\/09\/IMG-20150409-WA0000.jpg” title_text=”Cristina Mour\u00f3n” _builder_version=”4.16″ _module_preset=”default” min_height=”249px” custom_margin=”50px|34px||||” custom_padding=”||6px|||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font=”Montserrat||||||||” min_height=”166px” custom_margin=”1px|||||” custom_padding=”|95px||||” inline_fonts=”Montserrat” global_colors_info=”{}”]<\/p>\n
Cristina Mour\u00f3n Figueroa\u00a0<\/strong>started as a lecturer at the Department of English and German Philology, University of Santiago de Compostela (USC) in 1998. In 2002 she defended her Doctoral Dissertation (distinction cum laude<\/em>) and in 2008 she became a Senior Lecturer in English Philology. Current research interests focus on two main areas: the historical, social, and cultural aspects of late medieval England analysing evidence from historical and literary sources (including English medieval theatre, based on her PhD thesis on the York Cycle) and their representation in film, television, and literary fiction. These interests align with a long-standing teaching career increasingly specialized in historical, literary, and cultural subjects. Another area of expertise concerns the historical and mythological figure of King Richard III in English culture, literature and in audiovisual media and historical fiction. For this purpose, she was awarded a Salvador de Madariaga Research Fellowship by the Spanish Ministry of Education and Science to fund the project entitled Adaptations and Reinterpretations of the Historical Figure of King Richard III in Recent British Television Series and Literature: History, Fiction and Mythology<\/em> (academic year 2017\u20132018). To carry out this research, she was appointed Honorary Visiting Professor by the School of Arts at the University of Leicester (UK). In this regard, she served as a historical consultant for the theatrical production \u201cMala vida e pior morte do rei Ricardo III\u201d (Evaristo Calvo et al., dirs., 2025) and is the author of the historical fiction trilogy Hijos de York<\/em> (2023). Mour\u00f3n Figueroa has widely participated in international specialised conferences, networks and research projects and has contributed largely to knowledge transfer through a significant number of talks, lectures, and seminars. She has also undertaken administrative and management tasks related to her Department and to the organisation of international conferences. She was the Head of the Department of English and German Philology (USC) between 2012 and 2016 and is a member of the scientific and cultural organisations such as The Richard III Society, SELIM and The International Arthurian Society – Rama Hisp\u00e1nica.<\/span><\/p>\n <\/span><\/p>\n @:\u00a0cristina.mouron@usc.es<\/a><\/strong><\/span><\/p>\n [\/et_pb_text][et_pb_text disabled_on=”on|on|on” _builder_version=”4.24.0″ _module_preset=”default” text_font=”Montserrat||||||||” min_height=”166px” custom_margin=”1px|||||” custom_padding=”|95px||||” disabled=”on” inline_fonts=”Montserrat” global_colors_info=”{}”]<\/p>\n Cristina Mour\u00f3n Figueroa\u00a0<\/strong>comezou como profesora no Departamento de Filolox\u00eda Inglesa e Alem\u00e1 da Universidade de Santiago de Compostela (USC) en 1998. En 2002 defendeu a s\u00faa tese de doutoramento (distinci\u00f3n cum laude<\/em>) e en 2008 pasou a converterse en Profesora Titular de Filolox\u00eda Inglesa. Mour\u00f3n Figueroa leva impartido unha ampla variedade de materias cunha progresiva especializaci\u00f3n no campo da historia e da cultura das Illas Brit\u00e1nicas. O seu perfil investigador relaci\u00f3nase directamente co estudo da historia e a cultura da Inglaterra medieval tard\u00eda, analizando datos tanto de fontes hist\u00f3ricas como literarias. Outras li\u00f1as de investigaci\u00f3n de Mour\u00f3n Figueroa incl\u00faen: as mulleres inglesas medievais e o seu mundo, o teatro ingl\u00e9s medieval (destacando o York Corpus Christi Cycle<\/em>), as\u00ed como a figura hist\u00f3rica e mitol\u00f3xica do rei Ricardo III na cultura e literatura brit\u00e1nicas. Mour\u00f3n Figueroa ten participado de forma prol\u00edfica en conferencias internacionais especializadas, as\u00ed como en redes e proxectos de investigaci\u00f3n. No curso 2017-2018 foi Profesora Visitante Honoraria na University of Leicester (Reino Unido) na que levou a cabo un proxecto de investigaci\u00f3n sobre Ricardo III ao abeiro da bolsa Salvador de Madariaga. <\/span><\/p>\n @:\u00a0cristina.mouron@usc.es<\/a><\/strong><\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”|||0px||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font=”Montserrat||||||||” text_font_size=”11px” custom_padding=”||0px|||” hover_enabled=”0″ inline_fonts=”Montserrat” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n PUBLICACI\u00d3NS REPRESENTATIVAS:<\/u><\/strong><\/p>\n “\u201cLa representaci\u00f3n de la deformidad del cuerpo en \u00e9poca isabelina y su car\u00e1cter pol\u00edtico\u201d<\/strong>.Cat\u00e1logo \u201cEl Cuerpo Humano desde la Antig\u00fcedad hasta el Barroco: Ciencia, Arte y Pensamiento\u201d. Santiago de Compostela: Universidade de Santiago de Compostela, (en prensa). Link<\/a><\/span>.<\/p>\n \u201c\u201cRicardo III y la representaci\u00f3n visual de su dimensi\u00f3n f\u00edsica: rumbo a la desmitificaci\u00f3n\u201d<\/strong>.\u201d S\u00e9mata: Ciencias Sociais e Humanidades<\/em>.. Santiago de Compostela: Universidade de Santiago de Compostela, (en prensa). Link<\/a>.<\/span><\/p>\n \u201c\u201cReinventing Noah: from the Biblical Patriarch in the York Mystery Cycle to Darren Aronofsky’s Film Noah<\/em>\u201d. <\/strong>.\u201d En Gonz\u00e1lez-Alvarez. (ed). Filolox\u00eda, onte, hoxe e ma\u00f1\u00e1: lingua, literatura, cultura. Formulaci\u00f3ns te\u00f3ricas, anal\u00edticas e\/ou aplicadas.<\/em> Santiago de Compostela: Universidade de Santiago de Compostela, (2025): 95-101. .Link 1<\/a>. – Link 2<\/a>.<\/span><\/p>\n \u201c\u201cY aun los dragones tienen su final\u201d: Or\u00edgenes e influencias del Smaug Tolkieniano\u201d <\/strong>Tolkien. Un cl\u00e1sico de nuestros d\u00edas<\/em>.<\/strong>.\u201d Ed. Jose M\u00aa Miranda Boto. Oviedo: Legendaria (2024): 93-117. Link<\/a><\/span><\/p>\n \u201cMujeres en profesiones m\u00e9dicas y su reputaci\u00f3n en la Inglaterra medieval: el caso de Un mundo sin fin <\/em>de Ken Follet<\/strong>.\u201dLa mujer en la ciencia: Historia de una desigualdad. Lincom Studies in Anthropology <\/em>15. Eds. Bego\u00f1a Crespo Garc\u00eda, In\u00e9s Lareo Mart\u00edn e\u00a0Isabel Moskowich-Spiegel Fandi\u00f1o. Lincom: Europa, 2011.3-23. Localizador: Link<\/a><\/span><\/p>\n \u201cThe York Cycle and Fisterra Resurrection Plays: A Comparative Study”<\/strong>. European Medieval <\/em>Drama, 15 (2011): 153-186.<\/span><\/p>\n \u201cEl Auto de Resurrecci\u00f3n de Fisterra: an\u00e1lisis de una tradici\u00f3n dram\u00e1tica medieval<\/strong>.\u201d Anuario Brigantino <\/em>32 (2009): 407-432.<\/span><\/p>\n \u201cMel Gibson\u2019s The Passion of the Christ<\/em> and the York Cycle: A Comparative Study of Violence as Dramatic Device<\/strong>.\u201d Mediaevalia <\/em>2 (2006): 117-133.<\/span><\/p>\n El ciclo de York: sociedad y cultura en la Inglaterra bajomedieval<\/em><\/strong>. Santiago de Compostela: Universidade de Santiago de Compostela (2005). Servicio de Publicaci\u00f3ns da Universidade de Santiago de Compostela, (2005). Reviewed in Leeds Studies in English<\/em> XXXVIII. University of Leeds, (2007), 224-227.Link 1<\/a> – Link 2<\/a><\/span><\/p>\n \u00a0<\/span><\/span><\/p>\n <\/span><\/span><\/p>\n [\/et_pb_text][et_pb_text disabled_on=”on|on|on” _builder_version=”4.24.0″ _module_preset=”default” text_font=”Montserrat||||||||” text_font_size=”11px” custom_padding=”||0px|||” disabled=”on” inline_fonts=”Montserrat” global_colors_info=”{}”]<\/p>\n PUBLICACI\u00d3NS REPRESENTATIVAS:<\/u><\/strong><\/p>\n “Y a\u00fan los dragones tienen su final”. Or\u00edgenes e influencias del Smaug Tolkieniano”<\/strong>. Tolkien, un cl\u00e1sico de nuestros d\u00edas<\/em>. Ed. Jos\u00e9 Mar\u00eda Miranda Boto. Oviedo: Legendaria (2024) [en prensa].<\/span><\/span><\/p>\n \u201cAs d\u00fabidas de Xos\u00e9 sobre Mar\u00eda. Traduci\u00f3n ao galego de Jospeh’s Trouble about Mary<\/em> do York Cycle<\/em><\/a><\/strong>.\u201d Anuario de estudos do Barbanza<\/em>, 8 (2012): 153-166.<\/span><\/p>\n \u201cMujeres en profesiones m\u00e9dicas y su reputaci\u00f3n en la Inglaterra medieval: el caso de Un mundo sin fin <\/em>de Ken Follet<\/strong>.\u201d La mujer en la ciencia: Historia de una desigualdad. Lincom Studies in Anthropology <\/em>15<\/a>. Eds. Bego\u00f1a Crespo Garc\u00eda, In\u00e9s Lareo Mart\u00edn e\u00a0Isabel Moskowich-Spiegel Fandi\u00f1o. Lincom: Europa, 2011.3-23. Localizador: https:\/\/dialnet.unirioja.es\/servlet\/libro?codigo=577919<\/a><\/span><\/p>\n \u201cThe York Cycle and Fisterra Resurrection Plays: A Comparative Study<\/a><\/strong>.\u201d European Medieval <\/em>Drama, 15 (2011): 153-186.<\/span><\/p>\n
As\u00ed mesmo, leva desenvolvido m\u00faltiples tarefas administrativas e de xesti\u00f3n relacionadas co seu departamento e coa organizaci\u00f3n de congresos internacionais. Mour\u00f3n Figueroa foi a Directora do Departamento de Filolox\u00eda Inglesa e Alem\u00e1 (USC) entre os anos 2012 e 2016 e actualmente \u00e9 membro das organizaci\u00f3ns cient\u00edficas e culturais The Richard III Society<\/em><\/a> e Sociedad Tolkien Espa\u00f1ola<\/em>. En 2023 publicou a s\u00faa primeira novela, Hijos de York<\/em>, unha trilox\u00eda hist\u00f3rica sobre o rei Ricardo III.<\/span><\/p>\n