[et_pb_section fb_built=”1″ inner_shadow=”on” fullwidth=”on” custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ background_color=”#153b60″ custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_fullwidth_header content_max_width=”none” admin_label=”T\u00cdTULO SECCI\u00d3N” _builder_version=”4.16″ title_font=”Montserrat||||||||” background_color=”rgba(255, 255, 255, 0)” custom_padding=”||0px|||” button_one_letter_spacing_hover=”0″ button_two_letter_spacing_hover=”0″ global_colors_info=”{}” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”on” button_one_letter_spacing__hover=”0″ button_two_letter_spacing__hover_enabled=”on” button_two_letter_spacing__hover=”0″ button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”]<\/p>\n
[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ _module_preset=”default” background_color=”#d6d6d6″ width=”79.9%” custom_padding=”||27px|28px||” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/discursoeidentidade.com\/wp-content\/uploads\/2020\/09\/foto-Manoli-despacho-copia-1024×1024-1.jpg” title_text=”Manuela Palacios” _builder_version=”4.16″ _module_preset=”default” min_height=”299px” custom_margin=”26px|||||” custom_padding=”|||34px||” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” text_font=”Montserrat||||||||” min_height=”117px” custom_margin=”-5px|||||” custom_padding=”1px|95px||||” hover_enabled=”0″ inline_fonts=”Montserrat” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
Manuela Palacios Gonz\u00e1lez<\/b> es Profesora Titular de Literatura Inglesa en Universidade de Santiago de Compostela (USC). Ha dirigido seis proyectos de investigaci\u00f3n financiados por el Ministerio de Ciencia, Innovaci\u00f3n y Universidades<\/span> y centrados en el estudio de la literatura irlandesa y gallega contempor\u00e1nea, editando y coeditando varios libros y n\u00fameros especiales de revista en relaci\u00f3n a esta l\u00ednea de investigaci\u00f3n: Pluriversos<\/i> (2003), Palabras extremas<\/i> (2008), Writing Bonds<\/i> (2009), Creation, Publishing and Criticism<\/i> (2010), To the Winds Our Sails<\/i> (2010), Forked Tongues<\/i> (2012) y Six Galician Poets<\/i> (2016), Migrant Shores<\/i> (2017), \u0391\u03bd\u03b8\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u039d\u03ad\u03c9\u03bd \u0393\u03b1\u03bb\u03b9\u03ba\u03b9\u03b1\u03bd\u03ce\u03bd \u03a0\u03bf\u03b9\u03b7\u03c4\u03ce\u03bd \u2013 Antolox\u00eda De Poes\u00eda Galega Nova<\/i> (2019), Eco-Fictions, the Animal Trope and Irish Studies<\/i> (Estudios Irlandeses<\/i>, 15.2, 2020). Es igualmente autora de la monograf\u00eda <\/span>Us & Them: Women Writers\u2019 Discourses on Foreignness<\/i><\/span> (2023). <\/span>Otras publicaciones de Palacios Gonz\u00e1lez incluyen traducciones de poes\u00eda y ficci\u00f3n europea y \u00e1rabe (Los ritos de los sentidos, Vello ceo n\u00f3rdico, Cara ao faro<\/i>), monograf\u00edas sobre la imaginer\u00eda pict\u00f3rica en Virginia Woolf y sobre Richard III<\/i> de Shakespeare, as\u00ed como art\u00edculos sobre ecocr\u00edtica. Desde 2020 es miembro del\u00a0College of Expert Reviewers da European Science Foundation.<\/span><\/p>\n <\/p>\n @: manuela.palacios@usc.es<\/a><\/strong><\/p>\n http:\/\/irgal.es\/\u00a0<\/a><\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”|||0px||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Montserrat||||||||” text_font_size=”11px” custom_padding=”0px||7px|||” inline_fonts=”Montserrat” global_colors_info=”{}”]<\/p>\n PUBLICACIONES REPRESENTATIVAS:<\/u><\/span><\/strong><\/p>\n <\/u><\/span><\/strong><\/p>\n Eco-Fictions, the Animal Trope and Irish Studies (co-editado con Margarita Est\u00e9vez Sa\u00e1 e Noem\u00ed Pereira Ares)<\/em><\/strong>\u00a0(2020). Special Issue\u00a0<\/span>Estudios Irlandeses<\/em>\u00a0<\/span>15.2 (2020). ISSN: 1699-311X.\u00a0<\/span><\/strong>https:\/\/doi.org\/10.24162\/EI<\/a>.<\/p>\n \u201cOtherwhereness and Gender: Mary O\u2019Malley\u2019s\u00a0<\/span>Asylum Road<\/em>\u00a0<\/span>and Marga do Val\u2019s\u00a0<\/span>A cidade sen roupa ao sol<\/em>\u201d (Co-escrito con Mar\u00eda Xes\u00fas Nogueira Pereira).<\/strong>\u00a0<\/span>Oce\u00e1nide<\/em>, 13 (2020): 103-110.\u00a0<\/span>https:\/\/doi.org\/10.37668\/oceanide.v13i.46<\/a>\u00a0<\/span>ISSN: 1989-6328.<\/p>\n \u201cRelational Difference in Sin\u00e9ad Morrissey\u2019s Poetry: An Ecocritical Approach\u201d<\/strong>\u00a0<\/span>\u00c9tudes Irlandaises<\/em>, 44.1 (2019): 73-85.\u00a0<\/span>DOI:\u00a0<\/span>10.1080\/00497878.2018.1425579\u00a0<\/a><\/span>ISSN: 2259-8863, 0243-1106<\/span><\/p>\n \u201cInside the Whale: Configurations of An-other Female Subjectivity\u201d<\/strong>\u00a0<\/span>Women\u2019s Studies<\/em>,<\/em>47.2 (2018): 160-172.\u00a0<\/span>DOI:\u00a0<\/span>10.1080\/00497878.2018.1425579<\/a><\/span><\/p>\n \u201cOf Penelopes, Mermaids and Flying Women: Celia de Fr\u00e9ine\u2019s Tropes of Mobility\u201d.<\/strong>\u00a0<\/span>Estudios Irlandeses<\/em>\u00a012 (<\/span>2017).92-103.\u00a0<\/span>https:\/\/doi.org\/10.24162\/EI2017-6850<\/a><\/span>\u00a0<\/span>ISSN: 1699-311X.<\/span><\/p>\n