{"id":2063,"date":"2017-02-16T13:03:05","date_gmt":"2017-02-16T12:03:05","guid":{"rendered":"http:\/\/discursoeidentidade.com?page_id=2063"},"modified":"2024-03-11T12:43:59","modified_gmt":"2024-03-11T11:43:59","slug":"constante","status":"publish","type":"page","link":"https:\/\/discursoeidentidade.com\/?page_id=2063&lang=es","title":{"rendered":"CONSTANTE"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; inner_shadow=&#8221;on&#8221; fullwidth=&#8221;on&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#153b60&#8243; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_phone=&#8221;&#8221; transparent_background=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_header content_max_width=&#8221;none&#8221; admin_label=&#8221;T\u00cdTULO SECCI\u00d3N&#8221; _builder_version=&#8221;4.16&#8243; title_font=&#8221;Montserrat||||||||&#8221; background_color=&#8221;rgba(255, 255, 255, 0)&#8221; custom_padding=&#8221;||0px|||&#8221; button_one_letter_spacing_hover=&#8221;0&#8243; button_two_letter_spacing_hover=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; button_one_text_size__hover_enabled=&#8221;off&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; button_one_text_color__hover_enabled=&#8221;off&#8221; button_two_text_color__hover_enabled=&#8221;off&#8221; button_one_border_width__hover_enabled=&#8221;off&#8221; button_two_border_width__hover_enabled=&#8221;off&#8221; button_one_border_color__hover_enabled=&#8221;off&#8221; button_two_border_color__hover_enabled=&#8221;off&#8221; button_one_border_radius__hover_enabled=&#8221;off&#8221; button_two_border_radius__hover_enabled=&#8221;off&#8221; button_one_letter_spacing__hover_enabled=&#8221;on&#8221; button_one_letter_spacing__hover=&#8221;0&#8243; button_two_letter_spacing__hover_enabled=&#8221;on&#8221; button_two_letter_spacing__hover=&#8221;0&#8243; button_one_bg_color__hover_enabled=&#8221;off&#8221; button_two_bg_color__hover_enabled=&#8221;off&#8221;]<\/p>\n<h1>Constante Gonz\u00e1lez Groba<\/h1>\n<p>[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(0,0,0,0)&#8221; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_phone=&#8221;&#8221; transparent_background=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#d6d6d6&#8243; width=&#8221;79.9%&#8221; custom_padding=&#8221;||27px|28px||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/discursoeidentidade.com\/wp-content\/uploads\/2020\/09\/CONSTANTE-LILLE-1024&#215;768-1.jpg&#8221; title_text=&#8221;Constante Gonz\u00e1lez&#8221; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; min_height=&#8221;299px&#8221; custom_margin=&#8221;26px|||||&#8221; custom_padding=&#8221;|||34px||&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Montserrat||||||||&#8221; min_height=&#8221;117px&#8221; custom_margin=&#8221;-5px|||||&#8221; custom_padding=&#8221;|46px||||&#8221; inline_fonts=&#8221;Montserrat&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: left;\"><strong>Constante Gonz\u00e1lez Groba <\/strong>es<strong>\u00a0<\/strong>Catedr\u00e1tico de la\u00a0Universidad de Santiago de Compostela,\u00a0donde ha impartido clases\u00a0de Literatura Norteamericana desde 1983. Obtuvo una beca\u00a0Fulbright\u00a0en la\u00a0Universidad de Texas en Austin.\u00a0Su l\u00ednea\u00a0fundamental de investigaci\u00f3n\u00a0es\u00a0la narrativa femenina\u00a0del\u00a0Sur de los\u00a0EE. UU., con especial atenci\u00f3n a las interacciones de g\u00e9nero, raza y sexualidad. Edit\u00f3 textos paralelos en ingl\u00e9s\u00a0y\u00a0espa\u00f1ol de\u00a0<em>Criticism and Fiction<\/em>, de William Dean Howells\u00a0y\u00a0<em>The Responsibilities of the Novelist<\/em>, de Frank Norris.\u00a0Es\u00a0autor\u00a0de una\u00a0edici\u00f3n cr\u00edtica de\u00a0<em>The Awakening<\/em>, de Kate Chopin, orientada a\u00a0estudiantes\u00a0universitarios.\u00a0Es\u00a0tambi\u00e9n\u00a0autor del\u00a0libro\u00a0<em>La \u00a0novel\u00edstica de Carson McCullers: soledad, amor e identidad<\/em>, adem\u00e1s\u00a0de ensayos\u00a0y\u00a0cap\u00edtulos de libros sobre Carson McCullers, Stephen Crane, Lee Smith, Lillian Smtih, Elizabeth Madox Roberts, Bobbie Ann Mason, Ellen Glasgow, Harper Lee,\u00a0<span>Colson Whitehead, Ron Rash,\u00a0<\/span>entre otros autores.\u00a0Su\u00a0\u00faltimo libro\u00a0es\u00a0<em>On Their Own Premises: Southern Women Writers and the Homeplace<\/em>\u00a0(Universitat de Val\u00e9ncia, 2008).\u00a0 Edit\u00f3\u00a0el\u00a0libro\u00a0<em>Hijas del Viejo Sur: la mujer en la\u00a0 literatura del Sur de los Estados Unidos<\/em>\u00a0(Universitat de Val\u00e9ncia, 2012), que incluye\u00a0tres cap\u00edtulos suyos, as\u00ed como\u00a0el volumen\u00a0<em>Unsteadily Marching On: The US South in Motion<\/em> (Universitat de Val\u00e9ncia, 2013), una colecci\u00f3n de ensayos de especialistas en literatura y cultura del Sur de los EE. UU. Es coautor del libro <em>Pathologizing Black Bodies: The Legacy of Plantation Slavery<\/em> con Ewa Luczak y Urszula Niewiadomska-Flis (Routledge, 2023).. Lider\u00f3 proyectos de investigaci\u00f3n competitivos sobre las mujeres escritoras del sur estadounidense, sobre la ficci\u00f3n sure\u00f1a y los derechos civiles, as\u00ed como sobre la autobiograf\u00eda femenina del sur, as\u00ed como sobre la relaci\u00f3n entre raza y cuerpo en la literatura y el audiovisual estadounidense.<\/p>\n<p><strong>@: <a href=\"mailto:margarita.estevez.saa@usc.es\">constante.gonzalez@usc.es<\/a><\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; custom_padding=&#8221;|||0px||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.24.0&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Montserrat||||||||&#8221; text_font_size=&#8221;11px&#8221; custom_padding=&#8221;0px||7px|||&#8221; hover_enabled=&#8221;0&#8243; inline_fonts=&#8221;Montserrat&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><span style=\"font-size: 11px;\"><strong><u>PUBLICACIONES REPRESENTATIVAS:<\/u><\/strong><\/span><\/p>\n<p><strong>Pathologizing Black Bodies: The Legacy of Plantation Slavery<\/strong>. Co-authored with Ewa Luczak and Urszula Niewiadomska-Flis. New York: Routledge, 2023. ISBN: 978-1-032-40962-7.<\/p>\n<p><strong>\u201cIs It Gender or Is It Race?: To Kill a Mockingbird and Its Film Adaptation\u201d<\/strong>. <em>Polish Journal for American Studies<\/em>, vol. 16, 2022, pp. 11-28. DOI: 10.7311\/PJAS.16\/2022.02<\/p>\n<p><strong>\u201c\u2018The Forces That Came Together to Inflict That Pain\u2019: Class, Race, and Sexuality in Ellen Feldman\u2019s Scottsboro.\u201d<\/strong> REN: <em>Revista de Estudios Norteamericanos<\/em>, vol. 26, 2022, pp. 53-75. ISSN 1133-309-X.<strong style=\"font-size: 11px;\"><\/strong><\/p>\n<p><strong style=\"font-size: 11px;\">\u201cInternal Colonialism and the Wasteland Theme in Ron Rash\u2019s <em>Serena<\/em>\u201d<\/strong><span style=\"font-size: 11px;\">. <\/span><em style=\"font-size: 11px;\">ATLANTIS<\/em><span style=\"font-size: 11px;\">, vol. 42, no. 2, December 2020, pp. 119-37. ISSN 0210-6124.<\/span><\/p>\n<p><strong>\u201cRevisiting <em>The Heart Is a Lonely Hunter<\/em>: Carson McCullers\u2019 \u2018Ironic Parable of Fascism\u2019\u201d<\/strong>. <em>Ex-Centric Souths: (Re)Imagining Southern Centers and Peripheries<\/em>, edited by Urszula Niewiadomska-Flis. Publicacions de la Universitat de Val\u00e8ncia, 2019, pp. 165-179. ISBN 978-84-9134-548-0.<\/p>\n<p><strong>\u201cRiding the Rails to (Un)Freedom: Colson Whitehead\u2019s <em>The Underground Railroad<\/em>\u201d<\/strong>. <em>PJAS<\/em> (<em>Polish Journal of American Studies<\/em>), vol. 13, Autumn 2019, pp. 255-270. ISNN 1733-9154.<\/p>\n<p><strong>\u201cEuropean Existentialism Becomes an Impetus for Change in the American South: Carson McCullers\u2019 <em>Clock without Hands<\/em>\u201d.<\/strong> <em>Ideas Crossing the Atlantic: Theories, Normative Conceptions and Cultural Images<\/em>, edited by Waldemar Zacharasiewicz &amp; Christoph Irmscher. Austrian Academy of Sciences Press, 2019, pp. 325-342. ISSBN 978-3-7001-8487-4.<\/p>\n<p><strong>\u201cThe Emmett Till Case and Its Reverberations in Southern Autobiography\u201d<\/strong>. <em>A Critical Gaze from the Old World: Transatlantic Perspectives on American Studies<\/em>, edited by Isabel Dur\u00e1n et al. Peter Lang, 2018, pp. 177-195. ISBN 978-3-0343-3480-8.<\/p>\n<p><strong>\u201c<\/strong><span><strong>Racism and Fascism in Roger Corman\u2019s Film Adaptation of Charles Beaumont\u2019s <em>The Intruder<\/em>\u201d<\/strong><em><strong>.<\/strong> Moravian Journal of Literature and Film<\/em>, vol. 7, nos. 1-2, 2016, pp. 41-57. <\/span>ISSN 1803-7720.<\/p>\n<p><span><strong>\u201cEllen Glasgow\u2019s\u00a0<em>Life and Gabriella<\/em>: The Darwinian Struggle for Life and the Romance of Progress\u201d<\/strong>.\u00a0<em>R\u00c9SONANCES<\/em>\u00a015.1 (2015): La Vocation au f\u00e9minin \/\u00a0<em>Women and Vocation<\/em>. 119-135. ISSN 1245-2262.<\/span><\/p>\n<p><span><strong>\u201c\u2018So Far as I and My People Are Concerned the South Is Fascist Now and Always Has Been\u2019: Carson McCullers and the Racial Problem\u201d<\/strong>.\u00a0<em>ATLANTIS<\/em>\u00a037.2 (December 2015). 63-81. ISSN 0210-6124.<\/span><\/p>\n<p><span><strong>\u201cThe View from Elsewhere Shapes the Racial Conversion Narrative: Lillian Smith and Katharine Du Pre Lumpkin\u201d<\/strong>. In\u00a0<em>The South from Elsewhere<\/em>. Ed. Marcel Arbeit. Palack\u00fd University Olomouc. Olomouc: Czech Republic, 2014. ISBN 978-80-244-4397-3. 55-77.<\/span><\/p>\n<p><span><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Constante Gonz\u00e1lez GrobaConstante Gonz\u00e1lez Groba es\u00a0Catedr\u00e1tico de la\u00a0Universidad de Santiago de Compostela,\u00a0donde ha impartido clases\u00a0de Literatura Norteamericana desde 1983. Obtuvo una beca\u00a0Fulbright\u00a0en la\u00a0Universidad de Texas en Austin.\u00a0Su l\u00ednea\u00a0fundamental de investigaci\u00f3n\u00a0es\u00a0la narrativa femenina\u00a0del\u00a0Sur de los\u00a0EE. UU., con especial atenci\u00f3n a las interacciones de g\u00e9nero, raza y sexualidad. Edit\u00f3 textos paralelos en ingl\u00e9s\u00a0y\u00a0espa\u00f1ol de\u00a0Criticism and Fiction, de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-2063","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages\/2063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2063"}],"version-history":[{"count":0,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages\/2063\/revisions"}],"wp:attachment":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}