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[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” admin_label=”section” _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on” custom_width_px=”1080px” custom_width_percent=”80%” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ _module_preset=”default” background_color=”#d6d6d6″ width=”79.9%” custom_padding=”||27px|28px||” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/discursoeidentidade.com\/wp-content\/uploads\/2020\/09\/CONSTANTE-LILLE-1024×768-1.jpg” title_text=”Constante Gonz\u00e1lez” _builder_version=”4.16″ _module_preset=”default” min_height=”299px” custom_margin=”26px|||||” custom_padding=”|||34px||” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”Montserrat||||||||” min_height=”117px” custom_margin=”-5px|||||” custom_padding=”|95px||||” inline_fonts=”Montserrat” global_colors_info=”{}”]<\/p>\n
Constante Gonz\u00e1lez Groba\u00a0<\/strong>\u00e9 Catedr\u00e1tico da Universidade de Santiago de Compostela, onde v\u00e9n impartindo clases de Literatura Norteamericana desde 1983. Foi bolseiro Fulbright na Universidade de Texas en Austin. A s\u00faa li\u00f1a fundamental de investigaci\u00f3n \u00e9 a narrativa feminina do Sur dos EE. UU., con especial atenci\u00f3n \u00e1s interacci\u00f3ns de x\u00e9nero, raza e sexualidade. Editou textos paralelos en ingl\u00e9s e espa\u00f1ol de Criticism and Fiction<\/em>, de William Dean Howells e The Responsibilities of the Novelist<\/em>, de Frank Norris. \u00c9 autor dunha edici\u00f3n cr\u00edtica de The Awakening<\/em>, de Kate Chopin, orientada a estudantes universitarios. \u00c9 tam\u00e9n autor do libro La \u00a0novel\u00edstica de Carson McCullers: soledad, amor e identidad<\/em>, ademais de ensaios e cap\u00edtulos de libros sobre Carson McCullers, Stephen Crane, Lee Smith, Lillian Smtih, Elizabeth Madox Roberts, Bobbie Ann Mason, Ellen Glasgow, Harper Lee, Colson Whitehead, Ron Rash, entre outros autores. O seu \u00faltimo libro \u00e9 On Their Own Premises: Southern Women Writers and the Homeplace<\/em> (Universitat de Val\u00e9ncia, 2008).\u00a0 Editou o libro Hijas del Viejo Sur: la mujer en la\u00a0 literatura del Sur de los Estados Unidos<\/em> (Universitat de Val\u00e9ncia, 2012), que incl\u00fae tres cap\u00edtulos seus, as\u00ed como o volume Unsteadily Marching On: The US South in Motion<\/em> (Universitat de Val\u00e9ncia, 2013), unha colecci\u00f3n de ensaios de especialistas na literatura e cultura do Sur dos EE. UU. \u00c9 coautor do libro Pathologizing Black Bodies: The Legacy of Plantation Slavery<\/em> con Ewa Luczak y Urszula Niewiadomska-Flis (Routledge, 2023).. Liderou proxectos de investigaci\u00f3n competitivos sobre as mulleres escritoras do sur estadounidense, sobre a ficci\u00f3n sure\u00f1a e os dereitos civ\u00eds e sobre a autobiograf\u00eda feminina do sur, as\u00ed como a relaci\u00f3n entre raza e corpo na literatura e audiovisual estadounidense.\u00a0<\/span><\/span><\/p>\n