{"id":1317,"date":"2016-05-11T17:50:57","date_gmt":"2016-05-11T15:50:57","guid":{"rendered":"http:\/\/discursoeidentidade.com\/?page_id=1317&#038;lang=en"},"modified":"2024-02-14T13:08:59","modified_gmt":"2024-02-14T12:08:59","slug":"tesis","status":"publish","type":"page","link":"https:\/\/discursoeidentidade.com\/?page_id=1317&lang=en","title":{"rendered":"THESES"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; inner_shadow=&#8221;on&#8221; fullwidth=&#8221;on&#8221; custom_padding_last_edited=&#8221;on|desktop&#8221; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;#153b60&#8243; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_phone=&#8221;&#8221; transparent_background=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; make_fullwidth=&#8221;off&#8221; use_custom_width=&#8221;off&#8221; width_unit=&#8221;on&#8221; custom_width_px=&#8221;1080px&#8221; custom_width_percent=&#8221;80%&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_fullwidth_header content_max_width=&#8221;none&#8221; admin_label=&#8221;T\u00cdTULO SECCI\u00d3N&#8221; _builder_version=&#8221;4.16&#8243; title_font=&#8221;Montserrat||||||||&#8221; background_color=&#8221;rgba(255, 255, 255, 0)&#8221; custom_padding=&#8221;||0px|||&#8221; button_one_letter_spacing_hover=&#8221;0&#8243; button_two_letter_spacing_hover=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; button_one_text_size__hover_enabled=&#8221;off&#8221; button_two_text_size__hover_enabled=&#8221;off&#8221; button_one_text_color__hover_enabled=&#8221;off&#8221; button_two_text_color__hover_enabled=&#8221;off&#8221; button_one_border_width__hover_enabled=&#8221;off&#8221; button_two_border_width__hover_enabled=&#8221;off&#8221; button_one_border_color__hover_enabled=&#8221;off&#8221; button_two_border_color__hover_enabled=&#8221;off&#8221; button_one_border_radius__hover_enabled=&#8221;off&#8221; button_two_border_radius__hover_enabled=&#8221;off&#8221; button_one_letter_spacing__hover_enabled=&#8221;on&#8221; button_one_letter_spacing__hover=&#8221;0&#8243; button_two_letter_spacing__hover_enabled=&#8221;on&#8221; button_two_letter_spacing__hover=&#8221;0&#8243; button_one_bg_color__hover_enabled=&#8221;off&#8221; button_two_bg_color__hover_enabled=&#8221;off&#8221;]<\/p>\n<h1>DISSERTATIONS<\/h1>\n<p>[\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.16&#8243; background_color=&#8221;rgba(0,0,0,0)&#8221; min_height=&#8221;5685px&#8221; custom_margin=&#8221;||-1234px|||&#8221; custom_padding=&#8221;35px|0px|0px|0px||&#8221; custom_padding_tablet=&#8221;50px|0|50px|0&#8243; custom_padding_phone=&#8221;&#8221; transparent_background=&#8221;off&#8221; padding_mobile=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; disabled_on=&#8221;on|on|on&#8221; module_class=&#8221; et_pb_row_fullwidth&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;89%&#8221; width_tablet=&#8221;80%&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|desktop&#8221; max_width=&#8221;89%&#8221; max_width_tablet=&#8221;80%&#8221; max_width_phone=&#8221;&#8221; max_width_last_edited=&#8221;on|desktop&#8221; custom_padding=&#8221;0px||1px|||&#8221; make_fullwidth=&#8221;on&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_accordion _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_accordion_item open=&#8221;on&#8221; open_toggle_background_color=&#8221;#153b60&#8243; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; inline_fonts=&#8221;Montserrat&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"color: #ffffff; font-family: Montserrat; font-weight: normal;\">PhD DISSERTATIONS in progress<\/span><\/h2>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; disabled_on=&#8221;on|on|on&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.16&#8243; text_font=&#8221;Montserrat||||||||&#8221; header_font=&#8221;Montserrat||||||||&#8221; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; module_alignment=&#8221;left&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<ul>\n<li>\u00a0<strong>Abell\u00e1s Cobas, Beatriz.<\/strong> \u201cMake your statement, face your fear\u201d: Orality, Liminality and Horror in The Magnus Archives and Welcome to Night Vale. Director: Jorge Sacido-Romero<\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Aira Gallardo, Maika<\/strong>.\u00a0<em>As mulleres levantan a voz: violencia de x\u00e9nero e irmandade femenina no teatro norteamericano dos 70 escrito por mulleres. <\/em>Directores: Constante Gonz\u00e1lez Groba e Patricia Fra L\u00f3pez.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>\u00c1lvarez Caldas, Patricia.\u00a0<\/strong><em>Unha realidade edulcorada: a evoluci\u00f3n do musical \u00f3 medio televisivo.\u00a0<\/em>Directora: Patricia Fra L\u00f3pez.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Cabezas Amigo, Rita<\/strong>. <em>Literary Treatment of the <\/em>taibhsear <em>character in Walter Scott\u2019s<\/em> waverly <em>novels<\/em>. Directores: Fernando Alonso Romero e\u00a0Cristina Mour\u00f3n Figueroa.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Cortada Roberto, Isabella Alessandra<\/strong>. <em>ReJoycing MusiCage: &#8220;Writing Through Finnegans Wake&#8221; Again. <\/em>Directora: Margarita Est\u00e9vez-Sa\u00e1<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>D\u00edaz Mart\u00ednez, Juli\u00e1n. <\/strong><em>Aestheticism and Dandism in Wilkie Collins\u2019 Works. <\/em>Director: Jorge Sacido Romero.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>D\u00edaz Rodr\u00edguez, Ana<\/strong>. <em>Portraits of Old Women in Contemporary Literature in English: A Study from the Perspective of Literary Criticism, Age and Gender Studies<\/em>. Directora: Margarita Est\u00e9vez-Sa\u00e1.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Fern\u00e1ndez Fern\u00e1ndez, Mart\u00edn<\/strong>. <em>The Emmett Till Case in U.S. Fiction and Drama<\/em>. Director: Constante Gonz\u00e1lez Groba.<\/span><\/li>\n<li><span style=\"font-size: small;\"><b>Figueiras Campos,\u00a0<span class=\"currentHitHighlight\" id=\"0.3706886763008945\" name=\"searchHitInReadingPane\">Tania<\/span><\/b>.<b>\u00a0<\/b><i>The American Dream &#8216;Upside Down&#8217;: Decoding Sociocultural Anxieties through<\/i><b>\u00a0<\/b>Stranger Things<i>\u00a0and the American Horror Science Fiction Literary and Audiovisual Tradition<\/i>. Directora: Patricia Fra L\u00f3pez.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Garc\u00eda Varela, Ana Patricia<\/strong>. <em>Theme and Thematic Progression in English and Spanish Journalistic Discourse<\/em>. Directoras: Mar\u00eda de los \u00c1ngeles G\u00f3mez Gonz\u00e1lez e Mar\u00eda Teresa S\u00e1nchez Roura.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>G\u00f3mez L\u00f3pez, Esther.\u00a0<\/strong><em>Family Relationships in Joyce Carol Oates\u2019s Fiction. \u00a0<\/em>Directora: Susana Jim\u00e9nez Placer.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>G\u00f3mez Seoane, Almudena Mar\u00eda<\/strong>. <em>Arthurian Women: Characterization, Function and Evolution of Elaine in Different Literary Versions of the Arthurian Legend<\/em>. Directora: Margarita Est\u00e9vez-Sa\u00e1.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Gonz\u00e1lez Alonso, Mar\u00eda.\u00a0<\/strong><em>Os diferentes procesos de traduci\u00f3n f\u00edlmica dunha mesma obra literaria. O gran Gatsby. \u00a0<\/em>Directora: Patricia Fra L\u00f3pez.<\/span><\/li>\n<li>\n<p><strong>Gonz\u00e1lez Bern\u00e1rdez, Sara<\/strong>. The Fantasy of the Female: Identity Construction and Gender Representation in the Fantasy Genre. Directores: Laura M\u00aa Lojo Rodr\u00edguez e Jorge Sacido Romero.<\/p>\n<\/li>\n<li><span style=\"font-size: small;\"><strong>Guerreira Labrador, Elena.<\/strong> <em>Identidad y g\u00e9nero en la narrativa breve de autoras brit\u00e1nicas contempor\u00e1neas.<\/em> Directores: Laura Lojo Rodr\u00edguez e Mario Cal Varela.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Guzm\u00e1n de la Concepci\u00f3n, Marta. <\/strong><em>La influencia de la educaci\u00f3n en las cuestiones de g\u00e9nero. \u00a0<\/em>Directora: Laura Lojo Rodr\u00edguez.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Iovine, Flavia<\/strong>. <em>Irish Women Short Story Writers: A Reappraisal of Mary Lavin&#8217;s and Julia O&#8217;Faolain&#8217;s Contribution to the Genre<\/em>. Directora: Margarita Est\u00e9vez-Sa\u00e1.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Kulsoom Indad.\u00a0<\/strong><i><span lang=\"EN-US\">An Analysis of J. R. R. Tolkien\u2019s<\/span><span lang=\"EN-US\"> On Fairy-Stories in The Lord of the Rings.\u00a0<\/span><\/i><span lang=\"EN-US\">Directora: Cristina Mour\u00f3n Figueroa.\u00a0<\/span><\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Ledo Fern\u00e1ndez, M\u00f3nica<\/strong>.\u00a0<em>A personaxe sure\u00f1a de Lillian Hellman na gran pantalla: unha lectura do Sur mediante a an\u00e1lise de personaxes.\u00a0<\/em>Directora: Patricia Fra L\u00f3pez.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>L\u00f3pez Ferr\u00e1s, Carlota<\/strong>. <em>Children\u2019s Perspective in the English Narrative<\/em>. Directora: Laura Lojo Rodr\u00edguez. <\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>L\u00f3pez Sande, Sergio<\/strong>.\u00a0<em>Literature Beyond Solipsism: Self-Consciousness, Empathy and the Other in the Short Fiction of David Foster Wallace.\u00a0<\/em>Directora: Laura Lojo Rodr\u00edguez.<\/span><\/li>\n<li><strong style=\"font-size: small;\">Marchetto Santorun, Mar\u00eda Cecilia<\/strong><span style=\"font-size: small;\">. <\/span><em style=\"font-size: small;\">A Comparative Study of William Blake&#8217;s illustrated writings and Alan Moore&#8217;s comic books<\/em><span style=\"font-size: small;\">. Director: Jos\u00e9 Manuel Barbeito Varela.<\/span><\/li>\n<\/ul>\n<ul>\n<li>\n<p style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Mart\u00ednez Ponciano, Regina<\/strong>. <em>Masculinities in Late Victorian Fiction<\/em>. Directores: Laura Lojo Rodr\u00edguez e Jorge Sacido Romero.<\/span><\/p>\n<\/li>\n<li><span style=\"font-size: small;\"><strong>Pati\u00f1o Eir\u00edn, Mar\u00eda Rosario<\/strong>. <em>Mistress of Herself. The New Woman in the Late Victorian Novel<\/em>. Directora: Manuela Palacios Gonz\u00e1lez.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>P\u00e9rez Alonso, Sabela<\/strong>, <em>Genre and Gender Debates in SF Studies: An Analysis of Four Case Studies.<\/em> Directora: Margarita Est\u00e9vez-Sa\u00e1<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>P\u00e9rez Vilas, Rub\u00e9n<\/strong>. <em>Bourgeoisie and Dissatisfaction in the Literature of the Nineteenth-century Fin de Si\u00e8cle: A Transcontinental Perspective.<\/em> Directora: Margarita Est\u00e9vez-Sa\u00e1<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Portela Fern\u00e1ndez, Marta. <\/strong><em>Women in Flight: The Need to Escape in Irish Women Writer&#8217;s Literary Production<\/em>. Directora: Manuela Palacios Gonz\u00e1lez.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Res\u00faa Mu\u00f1iz, Santiago Jos\u00e9<\/strong>. <em>A New Discourse from the Chair of St. Peter? Ideology and Power Relations in Pope Franci\u2019s Discourse<\/em>. Directora: Mar\u00eda de los \u00c1ngeles G\u00f3mez Gonz\u00e1lez.<\/span><\/li>\n<li><span style=\"font-size: small;\"><strong>Rodr\u00edguez Dur\u00e1n, Jorge.<\/strong> <em>Literary Cartographies of Nothern Irish Urban Landscapes<\/em>. Directora: Manuela Palacios Gonz\u00e1lez.\u00a0<\/span><\/li>\n<\/ul>\n<ul>\n<li><span style=\"font-size: small;\"><strong>Rodr\u00edguez Pazo, Dolores<\/strong>. <em>Representations of Ireland and Galicia in the Rural Novel<\/em>. Directora: Manuela Palacios Gonz\u00e1lez.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: small;\"><strong>Soage Juncal, Lourdes<\/strong>. <em>Evaluative Discourse Markers in English and Spanish<\/em>. Directora: Mar\u00eda de los \u00c1ngeles G\u00f3mez Gonz\u00e1lez.<\/span><span style=\"font-size: small;\"><\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; module_class=&#8221; et_pb_row_fullwidth&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;89%&#8221; width_tablet=&#8221;80%&#8221; width_phone=&#8221;&#8221; width_last_edited=&#8221;on|desktop&#8221; max_width=&#8221;89%&#8221; max_width_tablet=&#8221;80%&#8221; max_width_phone=&#8221;&#8221; max_width_last_edited=&#8221;on|desktop&#8221; make_fullwidth=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_accordion _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_accordion_item open=&#8221;on&#8221; open_toggle_background_color=&#8221;#153b60&#8243; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; inline_fonts=&#8221;Montserrat&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span style=\"color: #ffffff; font-family: Montserrat; font-weight: normal;\">Completed PhD DISSERTATIONS<\/span><\/h2>\n<p>[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row padding_mobile=&#8221;off&#8221; column_padding_mobile=&#8221;on&#8221; _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_padding=&#8221;|||2px||&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.24.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; module_alignment=&#8221;left&#8221; hover_enabled=&#8221;0&#8243; inline_fonts=&#8221;Montserrat&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2023<\/strong><\/span><\/p>\n<p><strong>Castro Fern\u00e1ndez, Celia. <\/strong><em>La Influencia de la Fotograf\u00eda en algunospintores del s. XIX: El C\u00edrculo de Federico de Madrazo. <\/em>Director e Codirectora: Jes\u00fas Varela Zapata e Carmen Bermejo Lorenzo.<\/p>\n<p><strong>Gonz\u00e1lez Bern\u00e1rdez, Sara. <\/strong><em>The Fantasy of the Female: Gender Representation Through the Fantastic in Nora K. Jemisin&#8217;s The Broken Earth. <\/em>Directora e Codirector: Laura M\u00aa Lojo Rodr\u00edguez e Jorge Sacido Romero .<\/p>\n<p><strong>L\u00f3pez Sande, Sergio. <\/strong><em>TLiterature Beyond Solipsism: Self-Consciousness, Empathy and the Other in the Short Fiction of David Foster Wallace. <\/em>Directora e Codirectora: Laura M\u00aa Lojo Rodr\u00edguez e Cristina Alsina R\u00edsquez .<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2022<\/strong><\/span><\/p>\n<p><strong>Voyer, Ver\u00f3nica. <\/strong><em>Becoming An-Other. An Ecofeminist Critique of Contemporary Canadian Drama. <\/em>Directora: Manuela Palacios Gonz\u00e1lez.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2021<\/strong><\/span><\/p>\n<p><strong>Fern\u00e1ndez Fern\u00e1ndez, Mart\u00edn. <\/strong><em>Lillian Hellmans South through Her Characters: A Study of Three Film Adaptations. <\/em>Director: Constante Gonz\u00e1lez Groba.<\/p>\n<p><strong>Ledo Fern\u00e1ndez, M\u00f3nica. <\/strong><em>Haunted by the Specters of Racial Trauma: The Emmett Till Case in US Fiction. <\/em>Directora: Patricia Fra Lopez.<\/p>\n<p><strong>Marchetto Sant\u00f3rum, Cecilia.<\/strong><em>\u2002A Comparative Study of Willliam Blake\u2019s Illuminated Books and Allan Moore\u2019s Graphic Novels. <\/em>Director: Jose Manuel Barbeito Varela.<\/p>\n<p><strong>Pati\u00f1o Eirin, Mar\u00eda del Rosario. <\/strong><em>&#8216;Mistress of herself&#8217;. Aesthetics and discourses of the new woman in the late victorian novel. <\/em>Directora: Manuela Palacios Gonzalez.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2020<\/strong><\/span><\/p>\n<p><strong>Bo\u00e1n Francis, Iago.<\/strong><em>\u00a0El bestiario rowlingiano en la saga Harry Potter: fuentes literarias y mitol\u00f3gicas.<\/em>\u00a0Directora: Cristina Mour\u00f3n Figueroa.<\/p>\n<p><strong>D\u00edaz Mart\u00ednez, Juli\u00e1n.<\/strong>\u00a0<em>The Progress of Taste in Mid-Nineteenth Century England: Art in Wilkie Collins&#8217; Early Writing<\/em>. Dir Jorge Sacido Romero<\/p>\n<p><strong>Gonz\u00e1lez L\u00f3pez, Esther.<\/strong>\u00a0<em>Family Relationships in the Fiction of Joyce Carol Oates.<\/em> Dir. Susana Jim\u00e9nez Placer<\/p>\n<p><strong>P\u00e9rez Casal, Inmaculada.<\/strong> <em>Antecedents and Development of the Contemporary Romance Novel in English: A Study of the Contribution to the Genre by Rosamunde Pilcher and Lisa Kleypas.<\/em> Directoras: Margarita Est\u00e9vez-Sa\u00e1 e Patricia Fra L\u00f3pez.<\/p>\n<p><strong>Riob\u00f3 P\u00e9rez, Nerea.<\/strong> <em>Metamorphosis and Human-animal Relationships in Angela Carter\u2019s Fairy Tales: Liminal Subjectivities in The Bloody Chamber and Other Short Stories.<\/em> Directora: Laura Lojo Rodr\u00edguez.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2018\u00a0<\/strong><\/span><\/p>\n<p><strong>Morales Polo, \u00c1ngela.<\/strong> <em>Reescrituras f\u00edlmicas. Autor\u00eda y adaptaci\u00f3n de textos anglosajones en Isabel Coixet: My Life Without Me, Elegy y Another Me.<\/em> Director: Jes\u00fas Varela Zapata.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2017<\/strong><\/span><\/p>\n<p><strong>G\u00e1lvez G\u00f3mez, Laura.<\/strong> <em>The Arthurian World of J. R. R. Tolkien&#8217;s The Lord of the Rings: a Reassessment.<\/em> Directora: Cristina Mour\u00f3n Figueroa.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2016<\/strong><\/span><\/p>\n<p><strong>Amelia Pi\u00f1eiro Santorun.<\/strong> <em>Female Vampires: Sexuality and Mother-Daughter Relationship in Five Vampire Stories in English.<\/em> Directora: Margarita Est\u00e9vez-Sa\u00e1.<\/p>\n<p><strong>Fern\u00e1ndez, Richard Jorge.<\/strong> <em>The Irish Gothic Short Story in the Nineteenth Century: James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker.<\/em> Directora: Margarita Est\u00e9vez-Sa\u00e1.<\/p>\n<p><strong>Mato Collazo, Pablo.\u00a0<\/strong><em>El retorno del h\u00e9roe en la literatura de Tolkien, el cine de Jackson y la cultura de masas: el arquetipo heroico de la Saga del Anillo.<\/em>\u00a0Directora: Patricia Fra L\u00f3pez.<\/p>\n<p><strong>Rabelo C\u00e2mara, Yls.<\/strong> <em>Morgana vs. Guinevere: Analysis of the Dichotomy Paganism-Christianism in the Celtic World of Avalon.<\/em> Directores: Fernando Alonso Romero e\u00a0Cristina Mour\u00f3n Figueroa.<\/p>\n<p><strong>Saavedra Carballido, Jes\u00fas Manuel.<\/strong> <em>Golding\u2019s Metaphysics: William Golding\u2019s Novels through Arthur Schopenhauer\u2019s Philosophy.<\/em> Director: Jos\u00e9 Manuel Barbeito Varela.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2015<\/strong><\/span><\/p>\n<p><strong>Fern\u00e1ndez Mosquera, Ana Isabel.<\/strong> <em>The Nineteeth-Century English &#8216;Family Novel&#8217;: The Feminine Model of Charlotte Yonge.<\/em> Directores: Laura M\u00aa Lojo Rodr\u00edguez e Veljka Ruzicka Kenfel.<\/p>\n<p><strong>Losada P\u00e9rez, Ana Mar\u00eda.<\/strong> <em>Postmodernism in Angela Carter\u2019s Short Fiction: A Zizekian Approach.<\/em> Directores: Laura Lojo Rodr\u00edguez e\u00a0Jorge Sacido Romero.<\/p>\n<p><strong>Navarro Romero, Betsab\u00e9.<\/strong> <em>British Intellectuals and Blairism: Counter-Hegemonic Voices during Tony Blair\u2019s Premiership.<\/em> Directores: Laura Lojo Rodr\u00edguez e\u00a0Jos\u00e9 Francisco Fern\u00e1ndez S\u00e1nchez.<\/p>\n<p><strong>Pereira Ares, Noem\u00ed.<\/strong><em> Dressed Bodies that Matter: A Study of Dress in the Literature of the South Asian Diaspora in Britain.<\/em> Directores: Margarita Est\u00e9vez-Sa\u00e1 e\u00a0Jos\u00e9 Manuel Est\u00e9vez-Sa\u00e1.<\/p>\n<p><strong>Rodr\u00edguez Lamas, Mar\u00eda Luisa.<\/strong> <em>Lexical Anglicism on Spanish TV in the Transition to the New Millennium.<\/em> Directora: Mar\u00eda de los \u00c1ngeles G\u00f3mez Gonz\u00e1lez.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2014<\/strong><\/span><\/p>\n<p><strong>Lest\u00f3n Mayo, Mar\u00eda Aurora.<\/strong> <em>Tracing the Dragon: A Study of the Origin and Evolution of the Dragon Myth in the History and Literature of the British Isles.<\/em> Directores: Cristina Mour\u00f3n Figueroa e\u00a0Fernando Alonso Romero.<\/p>\n<p><strong>P\u00e9rez Tilve, Mar\u00eda Teresa.<\/strong> <em>Mothers and Daughters in Contemporary Irish and Galician Women Poetry.<\/em> Directora: Manuela Palacios Gonz\u00e1lez.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2013<\/strong><\/span><\/p>\n<p><strong>Casado Villanueva, Mar\u00eda.<\/strong> <em>Enchanting and Disenchanted Narratives: The Short Fiction of Katherine Mansfield and D.H. Lawrence.<\/em> Directora: Laura Lojo Rodr\u00edguez.<\/p>\n<p><strong>L\u00f3pez P\u00e9rez, Ana Bel\u00e9n.<\/strong><em> Female Identity in Katherine Mansfield\u2019s Work<\/em>. Director: Jos\u00e9 Manuel Barbeito Varela.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2012<\/strong><\/span><\/p>\n<p><strong>Goldar Di\u00e9guez, Jorge.<\/strong> <em>Inter-Stratum Synchronic Study: Context and Representation in The Canterbury Tales and Piers Plowman.<\/em> Directora: Cristina Mour\u00f3n Figueroa.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #0059bf;\"><strong>2011<\/strong><\/span><\/p>\n<p><strong>Torrado Cesp\u00f3n, Milagros.<\/strong> <em>Fascinology in the Society and Literature of the British Isles.<\/em> Director: Fernando Alonso Romero.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>DISSERTATIONSPhD DISSERTATIONS in progress \u00a0Abell\u00e1s Cobas, Beatriz. \u201cMake your statement, face your fear\u201d: Orality, Liminality and Horror in The Magnus Archives and Welcome to Night Vale. Director: Jorge Sacido-Romero Aira Gallardo, Maika.\u00a0As mulleres levantan a voz: violencia de x\u00e9nero e irmandade femenina no teatro norteamericano dos 70 escrito por mulleres. Directores: Constante Gonz\u00e1lez Groba e [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1317","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages\/1317","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1317"}],"version-history":[{"count":0,"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=\/wp\/v2\/pages\/1317\/revisions"}],"wp:attachment":[{"href":"https:\/\/discursoeidentidade.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1317"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}