TESES

TESES DE DOUTORAMENTO EN CURSO

  • Aira Gallardo, MaikaAs mulleres levantan a voz: violencia de xénero e irmandade femenina no teatro norteamericano dos 70 escrito por mulleres. Directores: Constante González Groba e Patricia Fra López.

  • Álvarez Caldas, Patricia. Unha realidade edulcorada: a evolución do musical ó medio televisivo. Directora: Patricia Fra López.

  • Boán Francis, Iago. A Study on the Fabulous Creatures in the British Historical and Literature Sources: Evidence form J. K. Rowling’s Harry Potter Saga. Directora: Cristina Mourón Figueroa.

  • Cabezas Amigo, Rita. Literary Treatment of the taibhsear character in Walter Scott’s waverly novels. Directores: Fernando Alonso Romero e Cristina Mourón Figueroa.

  • Díaz Martínez, Julián. Aestheticism and Dandism in Wilkie Collins’ Works. Director: Jorge Sacido Romero.

  • Díaz Rodríguez, Ana. Portraits of Old Women in Contemporary Literature in English: A Study from the Perspective of Literary Criticism, Age and Gender Studies. Directora: Margarita Estévez-Saá.

  • Gálvez Gómez, Laura. Arthurian Influence in J.R.R. Tolkien’s The Lord of the Rings. Directora: Cristina Mourón Figueroa.

  • García Varela, Ana Patricia. Theme and Thematic Progression in English and Spanish Journalistic Discourse. Directoras: María de los Ángeles Gómez González e María Teresa Sánchez Roura.

  • Gómez López, Esther. Family Relationships in Joyce Carol Oates’s Fiction.  Directora: Susana Jiménez Placer.

  • Gómez Seoane, Almudena María. Arthurian Women: Characterization, Function and Evolution of Elaine in Different Literary Versions of the Arthurian Legend. Directora: Margarita Estévez-Saá.

  • González Alonso, María. Os diferentes procesos de tradución fílmica dunha mesma obra literaria. O gran Gatsby.  Directora: Patricia Fra López.

  • González Varela, Carmen. George Orwell’s Fiction: Revolution, Humanity and Gender. Directora: Laura Mª Lojo Rodríguez.

  • Ledo Fernández, MónicaA personaxe sureña de Lillian Hellman na gran pantalla: unha lectura do Sur mediante a análise de personaxes. Directora: Patricia Fra López.

  • López Ferrás, Carlota. Children’s Perspective in the English Narrative. Directora: Laura Lojo Rodríguez.

  • Marchetto Santorun, María Cecilia. A Comparative Study of William Blake’s illustrated writings and Alan Moore’s comic books. Director: José Manuel Barbeito Varela.

  • Martínez Ponciano, Regina. Masculinities in Late Victorian Fiction. Directores: Laura Lojo Rodríguez e Jorge Sacido Romero.

  • Patiño Eirín, María Rosario. Mistress of Herself. The New Woman in the Late Victorian Novel. Directora: Manuela Palacios González.

  • Pérez Casal, Inmaculada. Antecedents and Development of the Contemporary Romance Novel in English; A Study of the Contribution to the Genre by Rosamunde Pilcher. Directoras: Margarita Estévez-Saá e Patricia Fra López.

  • Portela Fernández, Marta. Women in Flight: The Need to Escape in Irish Women Writer’s Literary Production. Directora: Manuela Palacios González.

  • Resúa Muñiz, Santiago José. A New Discourse from the Chair of St. Peter? Ideology and Power Relations in Pope Franci’s Discourse. Directora: María de los Ángeles Gómez González.

  • Riobó Pérez, Nerea. Wicked women or Passive Heroines? Sexuality and Female Characters in Angela Carter. Directora: Laura Lojo Rodríguez.

  • Rodríguez Durán, Jorge.  Literary Cartographies of Northern Irish Urban Landscapes. Directora: Manuela Palacios González.

  • Rodríguez Fernández, Arancha.  A rexión extrema: o discurso amoroso na poesía contemporánea de mulleres en Galicia e Irlanda. Directora: Manuela Palacios González.

  • Rodríguez Pazo, Dolores. Representations of Ireland and Galicia in the Rural Novel. Directora: Manuela Palacios González.

  • Soage Juncal, Lourdes. Evaluative Discourse Markers in English and Spanish. Directora: María de los Ángeles Gómez González.

TESES DE DOUTORAMENTO DEFENDIDAS

2016

  • Amelia Piñeiro Santorun. Female Vampires: Sexuality and Mother-Daughter Relationship in Five Vampire Stories in English. Directora: Margarita Estévez-Saá.

  • Fernández, Richard Jorge. The Irish Gothic Short Story in the Nineteenth Century: James Clarence Mangan, Joseph Sheridan Le Fanu and Bram Stoker. Directora: Margarita Estévez-Saá.

  • Mato Collazo, Pablo. El retorno del héroe en la literatura de Tolkien, el cine de Jackson y la cultura de masas: el arquetipo heroico de la Saga del Anillo. Directora: Patricia Fra López.

  • Rabelo Câmara, Yls. Morgana vs. Guinevere: Analysis of the Dichotomy Paganism-Christianism in the Celtic World of Avalon. Directores: Fernando Alonso Romero e Cristina Mourón Figueroa.

  • Saavedra Carballido, Jesús Manuel. Golding’s Metaphysics: William Golding’s Novels through Arthur Schopenhauer’s Philosophy. Director: José Manuel Barbeito Varela.

 

2015

  • Fernández Mosquera, Ana Isabel. The Nineteeth-Century English ‘Family Novel’: The Feminine Model of Charlotte Yonge. Directores: Laura Mª Lojo Rodríguez e Veljka Ruzicka Kenfel.

  • Losada Pérez, Ana María. Postmodernism in Angela Carter’s Short Fiction: A Zizekian Approach. Directores: Laura Lojo Rodríguez e Jorge Sacido Romero.

  • Navarro Romero, Betsabé. British Intellectuals and Blairism: Counter-Hegemonic Voices during Tony Blair’s Premiership. Directores: Laura Lojo Rodríguez e José Francisco Fernández Sánchez.

  • Pereira Ares, Noemí. Dressed Bodies that Matter: A Study of Dress in the Literature of the South Asian Diaspora in Britain. Directores: Margarita Estévez-Saá e José Manuel Estévez-Saá.

  • Rodríguez Lamas, María Luisa. Lexical Anglicism on Spanish TV in the Transition to the New Millennium. Directora: María de los Ángeles Gómez González.

 

2014

  • Lestón Mayo, María Aurora. Tracing the Dragon: A Study of the Origin and Evolution of the Dragon Myth in the History and Literature of the British Isles. Directores: Cristina Mourón Figueroa e Fernando Alonso Romero.

  • Pérez Tilve, María Teresa. Mothers and Daughters in Contemporary Irish and Galician Women Poetry. Directora: Manuela Palacios González.

 

2013

  • Casado Villanueva, María. Enchanting and Disenchanted Narratives: The Short Fiction of Katherine Mansfield and D.H. Lawrence. Directora: Laura Lojo Rodríguez.

  • López Pérez, Ana Belén. Female Identity in Katherine Mansfield’s Work. Director: José Manuel Barbeito Varela.

 

2012

  • Goldar Diéguez, Jorge. Inter-Stratum Synchronic Study: Context and Representation in The Canterbury Tales and Piers Plowman. Directora: Cristina Mourón Figueroa.

 

2011

  • Torrado Cespón, Milagros. Fascinology in the Society and Literature of the British Isles. Director: Fernando Alonso Romero.

 

TESES FIN DE MESTRADO

2016

  • Figueiras Campos, Tania. Creando un alter ego e un héroe: Perry Smith na adaptación cinematográfica de Richard Brooks de A sangue frío, de Truman Capote.  Directora: Patria Fra López.

  • Junquera Areas Pérez, Mónica. Gender and Identity in Irish Contemporary Fiction. Directora: Susana Domínguez Pena.

2015

  • Al-Tawarh, Khawla Abed Alhadi Abbas. Euphemisms for Death in Arabic-Jordanian and American English: Comparative Study. Director: Luis Iglesias Rábade.

  • Dono Costoya, Alba. Re-establishment of English in Writing (1300-1500). Director: Luis Iglesias Rábade.

  • Jamardo, Andrea. Maya Angelou’s  I Know Why the Caged Bird Sings in Terms of Race and Gender. Directora: Susana Jiménez Placer.

  • Martínez Aguín, Alicia. Language, Gender and Identity in Julia Álvarez’s How the García Girls Lost Their AccentsDirectora: Susana Jiménez Placer.

  • Martínez Fachal, Ángela. Bards of the Nation: Eduardo Pondal and W. B. Yeats. Directora: Margarita Estévez-Saá.

  • Queiruga Domínguez, Naara. Segregation in Alice Childress’s  Like One of the Family. Directora: Susana Jiménez Placer.

  • Yáñez Castiñeira, Marta. Women and the Troubles: Trauma and Memory in Deirdre Madden’s One by One in the Darkness. Directora: Margarita Estévez-Saá.

2014

  • Boán Francis, Iago. Literary Portraits of King Richard III: History and Fiction in William Shakespeare’s Play and Sharon Penman’s The Sunne in Splendour. Directora: Cristina Mourón Figueroa.

  • Buján Vigo, Mirian. Beauty Blogs in English and Spanish: A Contrastive Multimodal Analysis. Directora: María de los Ángeles Gómez González.

  • Díaz Rodríguez, Ana. Female Aging in Doris Lessing’s The Diaries of Jane Somers. Directora: Margarita Estévez-Saá.

  • Facorro Souto, Raquel. Desafiando la estabilidad: Travels in the Scriptorium de Paul Auster. Directora: Laura Lojo Rodríguez.

  • Gómez López, Esther. Family Loss in the Fiction of Joyce Carol Oates. Directora: Susana Jiménez Placer.

  • Mediero Viera, Jorge.True Detective de Nic Pizzolatto: unha análise da figura do investigador e o relato policial dende Poe ata o cine negro.  Directora: Patricia Fra López.

  • Pérez Casal, Inmaculada. Mulleres e mentoras: a importancia das relacións entre mulleres na serie Travis de Lisa Kleypas. Directora: Patricia Fra López.

  • Pinto Pérez, Laura. Definiendo “Steampunk” como género literario: Creando un pasado que no existió. Directora: Laura Lojo Rodríguez.

  • Prieto Vázquez, Leticia. Rewriting Female Myths in Irish and Galician Women’s Poetry. Directora: Manuela Palacios González.

2013

  • Fernández Otero, Alba. Mary Shelley’s Frankenstein and the Gothic Novel. Directora: Laura Lojo Rodríguez.

  • Gálvez Gómez, Laura. A Study of the Arthurian Themes of Quest and Fellowship in J. R. R. Tolkien’s The Lord of the Rings. Directora: Cristina Mourón Figueroa.

  • González Barroso, Silvia. The Use of Focalization Adverbs by Spanish Learners of Advanced English. Directoras: Susana María Doval Suárez e Elsa María González Álvarez.

  • González González, Tania. Ian McEwan’s Postmodernism in Directora: Laura Lojo Rodríguez.

  • Gutiérrez Boquete, Elisa. Virginia Woolf’s Orlando: Sketch of a Writer. Directora: Laura Lojo Rodríguez.

  • Lamela Camanzo, Esteban. Pragmatic Strategies in Contemporary Advertising: Grice’s Cooperative Principle. Directora: María Teresa Sánchez Roura.

  • Marchetto Santorun, María Cecilia. Comparative Study between William Blake’s The Marriage of Heaven and Hell and Alan Moore’s Director: José Manuel Barbeito Varela.

  • Riobó Pérez, Nerea. Angela Carter’s Wolves Trilogy and Female Identity. Directora: Laura Lojo Rodríguez.

2012

  • Abelleira Bermejo, María. Alfred Hitchcock: mujeres en Psicosis, Recuerda y Rebecca.  Directora: Patricia Fra López.

  • De la Cruz Moreno, Marcelino. The Castle of Otranto and “The Bloody Chamber”: A Sample of how Gothic Literature Has Changed since its Origins until the Late Twentieth Century. Directora: Laura Lojo Rodríguez.

  • González Otero, María. Analysis of the Context in the Translation of American Novels into Film: The Great Gatsby.  Directora: Patricia Fra López.

  • Keane, Eithne. Paul Howard’s Ross O’Carroll-Kelley Series and the Irish Comic Tradition: A Reflection on Culture and Society in Celtic Tiger Ireland. Directora: Margarita Estévez-Saá.

  • Klichko, Olga. Femininity, Sexuality and Vampires: An Approach to Sheridan Le Fanu’s “Carmilla”. Directora: Laura Lojo Rodríguez.

  • Pérez Duarte, Isabel. Presupposition in Advertising. Directora: María Teresa Sánchez Roura.

2011

  • Álvarez Caldas, Patricia. With the Rich and Mighty Always a Little Patience: A Revision of Gender, Class and Genre in The Philadelphia Story. Directora: Patricia Fra López.

  • Casas Barbeito, Cristina. Appraisal and Criticism of Two Female Bildungsromane: Jane Auste’s Emma and Charlotte Brontë’s Jane Eyre. Directora: Margarita Estévez-Saá.

  • Martelo Cambeiro, Josefa Loida. Identity and Space in Sandra Cisneros’ The House on Mango Street. Directora: Susana Jiménez Placer.

  • Martínez López, Beatriz. Reading Nella Larsen’s Passing in Terms of Class. Directora: Susana Jiménez Placer.

  • Portela Fernández, Marta. Anne Enright’s The Gathering: Configurations of the Family in Contemporary Irish Literature. Directora: Manuela Palacios González.

  • Tubío González, Benito. A Reappraisal of Richard Adams’s Watership Down. The Journey Home. Directora: Cristina Mourón Figueroa.

 

2010

  • Aira Gallardo, Maika. Domestic Violence on Stage.  Directora: Patricia Fra López.

  • Covelo Pedreira, Andrés. Bringing the Novel to Life: An Overview of the Adaptation of the Novel to Film. Directora: Laura Lojo Rodríguez.

  • Fernández Montoto, Marina C. American Children’s Literature: Jacob Abbott, A Pioneer.  Directora: Patricia Fra López.

  • García Sánchez, Maeba. Poder y estereotipos en la literatura asiático americana. Directora: Patricia Fra López.

  • Pereira-Ares, Noemí. Dressed Bodies Do Matter in Monica Ali’s Brick Lane. Directora: Margarita Estévez-Saá.

  • Sánchez García, Celina. Challenging Linear Order: Postmodern Strategies in Ali Smith’s The Whole Stories and Other Stories. Directora: Laura Lojo Rodríguez.

  • Villa Al-Hussen, Khazna. Female Characters in Bram Stoker’s Directora: Laura Lojo Rodríguez.

OUTROS ESTUDOS ACADÉMICOS DIRIXIDOS

2014

  • Riobó Pérez, Nerea. Charmed Women and Sexuality in Fairy Tales through Angela Carter’s Short Stories. Supervisor: Laura Lojo Rodríguez.

2012

  •  Rodríguez Dopico, Silvia. Women’s Mobility in Edna O’Brien’s and Mary O’Donnell’s Short Stories. Directora: Manuela Palacios González.

2009

  • Bret Franco, Carolina. Political Justice Refracted in Caleb Williams: The Failure of Rationalist Ethics vis-a-vis the Emancipation of the Individual in William Godwin. Director: Jorge Sacido Romero.

  • Casado Villanueva, María. No Laughing Matter: Humour as Subversive Strategy in Zadie Smith’s White Teeth. Directora: Laura Lojo Rodríguez.

  • Currás Nores, Lucía. Six Feet Under or the funeral of the traditional American family.  Directora: Patricia Fra López.

  • Díaz Martínez, Julián. “In the wretched state of my nerves.” The Figure of the Aesthete Frederick Fairlie in Wilkie Collins’ The Woman in White. Director: Jorge Sacido Romero.